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THE WHO Rock History. Passed away 2002 age 57.
LP...original TRACK records, VG++ clean with minor marks. Cover...VG original gatefold, tiny bb, shows age/edge wear see pics. Certified Autograph.
Original signature from his concert at The Iron Horse in Northampton MA.
Rigor Mortis Sets In is the third solo by , who was the for . by , the album was named John Entwistle's Rigor Mortis Sets In in the U.S. Co-produced by Entwistle and John Alcock, it consists of three Fifties covers, a new version of the Entwistle song "" from album , and new tracks (only six of the ten songs were new). Rigor Mortis Sets In set in motion John Entwistle assembling his own touring unit during the increasing periods of The Who's inactivity.
Bearing the dedication "In Loving Memory of Rock 'n' Roll 1950–: Never Really Passed Away Just Ran Out of Time", Entwistle's affection for Fifties rock and roll was evident by covers of "", "", and "". As had released at the same time as Rigor Mortis Sets In was released, creating a huge market for Fifties nostalgia, Entwistle's timing was uncannily prescient. In Entwistle's original material for the album, light whimsy prevailed over the darker (and more creative) vein of and . The album was completed in less than three weeks, ultimately costing $10,000 in studio time and $4,000 on liquor bills.
The of the LP features on one cover an outdoor photo of a grave, whose heart-shaped is engraved with the dedication described above, while the grave's foot-stone is "V.S.O.P." (a ). The opposite cover features a wooden bearing a brass plate engraved with the album's name. The UK (Track) LP used the coffin on the cover and the gravestone on the inner gatefold, while the U.S. (MCA) LP had the opposite arrangement. Compact disc releases have been fronted with Track's original coffin cover, with the gravestone cover proportionally preserved inside as part of the liner notes.
Rigor Mortis Sets In had a rough launch due to its title and cover art. refused to play the album and , ironically in part due to the influence of DJ who had just suffered a death in his family. The album's U.S. debut was problematic for MCA Records (Track's new American distributor), who insisted on appending the artist's name to the title, out of concern that the album's sales would be weak without the Entwistle name in the title.