Sold Date:
May 28, 2024
Start Date:
August 10, 2022
Final Price:
€20.00
(EUR)
Seller Feedback:
5532
Buyer Feedback:
0
THIS IS THE EARLY-80s US REPRESSING on WB 'White' label with watermarks of multiple WB shield logos. The partially in shrink single cover is in EX condition, normal wear and without any major deterioration BUT light discolouration/wear on right corners (where missing shrink), left spine is fully readable, for details see photos. The vinyl is in EX condition and plays wonderfully. FIRST ALBUM.
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GRATEFUL DEAD
BOB WEIR, PIGPEN, BILL THE DRUMMER, JERRY 'Captain Trips' GARCIA, PHIL LESH
Legendary Haight-Ashbury sextet who took a long strange trip
from acid-testing jugband to worldwide countercultural institution
"THE GRATEFUL DEAD"
<reissue, originally published in 1967>
LP WARNER BROS RECORDS WS 1689
PRINTED IN USA EARLY-80s REPRESSING
SINGLE SLEEVE
HEAVY CARDBOARD COVER
Barcode and Other Identifiers
Barcode: (scanned) 0075992716710 (text) 0 7599-271671
LABEL: WB - WHITE LABEL w/Watermarks of multiple WB shield logos - BLACK TEXT
Catalog on cover: WS 1689
Catalog on labels: WS 1689
Matrix / Runout (Side A, Etched): WS-1-1689 WW2 #3 l-l SP ∙—◁
Matrix / Runout (Side B, Etched): WS-2-1689 WW2 #2 ∙—◁
On labels: Produced by Dave Hassinger
Arranged by The Grateful Dead
On back cover: Tracklist + Credits
Engineer: Dick Bogert / Cover Design: Mouse Studios /
Collage: Kelly / Cover Photo: Herb Greene / Liner Photo: Gene Anthony
The Grateful Dead Fan Club P.O. Box 31201, San Francisco, California
Warner Bros. Records Inc............New York. Made in U.S.A.
tracklisting
Side A: THE GOLDEN ROAD (TO UNLIMITED DEVOTION)
BEAT IT ON DOWN THE LINE - GOOD MORNIN' LITTLE SCHOOL GIRL
COLD RAIN AND SNOW - SITTIN' ON TOP OF THE WORLD - CREAM PUFF WAR
Side B: MORNING DEW - NEW, NEW MINGLEWOOD BLUES - VIOLA LEE BLUES
grading
RECORD EX but (please, read above description)
SLEEVE EX but (please, see pictures and read above description)
The Grateful Dead's eponymously titled debut long-player was issued in mid-March of 1967. This gave rise to one immediate impediment -- the difficulty in attempting to encapsulate/recreate the Dead's often improvised musical magic onto a single LP. Unfortunately, the sterile environs of the recording studio disregards the subtle and often not-so-subtle ebbs and zeniths that are so evident within a live experience. So, while this studio recording ultimately fails in accurately exhibiting The Grateful Dead's tremendous range, it's a valiant attempt to corral the group's hydra-headed psychedelic jug-band music on vinyl. Under the technical direction of Dave Hassinger -- who had produced the Rolling Stones as well as the Jefferson Airplane -- the Dead recorded the album in Los Angeles during a Ritalin-fuelled "long weekend" in early 1967...(AllMusic)