BRIAN ENO ~ ANOTHER GREEN WORLD ~ LP on EDITIONS EG! AVANTE-GARDE!! 1975

Sold Date: March 9, 2014
Start Date: March 4, 2014
Final Price: $16.50 (USD)
Bid Count: 3
Seller Feedback: 1243
Buyer Feedback: 177


Here is a NEAR MINT MINUS/EXCELLENT PLUS copy of a BRIAN ENO LP titled ANOTHER GREEN WORLD. It is an original US pressing on the EDITIONS EG label, catalog #ENO 3 in STEREO sound from 1975. The LP is in NEAR MINT MINUS! condition w/ a couple of light non-sounding marks and should have excellent playback. The cover is original cardboard in EXCELLENT MINUS condition with a saw cut top left, some rubbing/ring wear top center, small corner bumps and very light edge/corner wear. It is a NEAR MINT MINUS/EXCELLENT PLUS copy for you to own. It is an opportunity to purchase this TOP RATED LP by BRIAN ENO and it is a gem for the ALTERNATIVE / INDIE / AVANT-GARDE / ART ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE!  Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Steve Huey

A universally acknowledged masterpiece, represents a departure from song structure and toward a more ethereal, minimalistic approach to sound. Despite the stripped-down arrangements, the album's sumptuous tone quality reflects 's growing virtuosity at handling the recording studio as an instrument in itself (à la ). There are a few pop songs scattered here and there ("St. Elmo's Fire," "I'll Come Running," "Golden Hours"), but most of the album consists of deliberately paced instrumentals that, while often closer to ambient music than pop, are both melodic and rhythmic; many, like "Sky Saw," "In Dark Trees," and "Little Fishes," are highly imagistic, like paintings done in sound that actually resemble their titles. Lyrics are infrequent, but when they do pop up, they follow the free-associative style of albums past; this time, though, the humor seems less bizarre than gently whimsical and addled, fitting perfectly into the dreamlike mood of the rest of the album. Most of is like experiencing a soothing, dream-filled slumber while awake, and even if some of the pieces have dark or threatening qualities, the moments of unease are temporary, like a passing nightmare whose feeling lingers briefly upon waking but whose content is forgotten. Unlike some of his later, full-fledged ambient work, 's gift for melodicism and tight focus here keep the entirety of the album in the forefront of the listener's consciousness, making it the perfect introduction to his achievements even for those who find ambient music difficult to enjoy.