HERBIE MANN "EVOLUTION OF" GERMAN ATLANTIC 1972 2 LP G/F

Sold Date: February 6, 2015
Start Date: April 9, 2014
Final Price: £9.99 (GBP)
Seller Feedback: 1540
Buyer Feedback: 55


Herbie Mann – The Evolution Of Mann
Label:
Atlantic – ATL 60 020
Format:
2 × Vinyl, LP
Country:
Germany
Released:
1972
Genre:
Jazz
Style:
 

Tracklist
Hide Credits▼
A1

New Orleans
Bass – Mike Leech
Drums – Gene Chrisman
Guitar – Reggie Young
Organ – Bobby Emmons
Piano – Bobby Wood
Producer – Tom Dowd
2:07

A2

Motherless Child
8:02

A3

Georgia On My Mind
Producer – Joel Dorn
4:47

A4

Not Now - Later On
Drums – Bobby Thomas (2)
Guitar – Bill Suyker
Percussion – George Devens
Piano, Organ – Paul Griffin
Trumpet, Flugelhorn – Clark Terry, Ernie Royal
1:53

B1

Gymnopedie
Bass – Chuck Israels
Drums – Paul Motian
Piano – Bill Evans
3:17

B2

Yesterday's Kisses
4:17

B3

Nirvana
Bass – Chuck Israels
Drums – Paul Motian
Piano – Bill Evans
5:47

B4

Feeling Good
Guitar – Mundell Lowe
3:27

C1

Patato
8:18

C2

Why Don't You Do Right
Bass – Juan Garcia (2), Nabil Totah
Drums – Rudy Collins
Percussion – Ray Barretto, Ray Mantilla, Willie Rodriguez
Piano – Charles Palmieri*
Violin – Daniel Gonzalez, Joe Silva (2), Jose Andreu
2:29

C3

Scratch
Bass – Joe Macko
Drums – Bernard Purdie
Guitar – Al Gorgoni, Charlie Macey
Percussion – Warren Smith
Piano – Jim Wisner*
Saxophone [Baritone] – Pepper Adams
Saxophone [Baritone], Saxophone [Tenor] – King Curtis
Trombone – Quentin Jackson
Trumpet – Joe Newman, Marky Markowitz
2:35

C4

Drown In My Own Tears
Producer – Joel Dorn
Saxophone [Tenor] – David NewmanC*
5:07

D1

Consolation
Bass – Gabriel
Drums – Juquinha
Flute [Alto] – Herbie Mann
Guitar – Baden Powell
4:25

D2

Turkish Coffee
Bass – Reggie Workman
Oud – Chick Ganimian
Percussion – Geraldine Swee, Hachig Thomas Kazaarian*
Producer – Arif Mardin
Vibraphone – Roy Ayers
5:00

D3

Incense
Bass – Reggie Workman
Flute [Alto] – Herbie Mann
Oud – Chick Ganimian
Percussion – Geraldine Swee, Hachig Thomas Kazaarian*
Producer – Arif Mardin
Vibraphone – Roy Ayers
7:18

D4

Please Send Me Someone To Love
Flugelhorn – Jimmy Owens

The vinyl and labels are graded: NEAR MINT
The cover is graded: EXCELLENT


I tend to think a picture is worth a thousand words, and is quicker to create, however if you need any further information, or another picture of some detail just email me and I’ll do what I can to help. THE ITEM IN THE PHOTOGRAPH IS THE ITEM YOU ARE BIDDING FOR.

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European postage is £4.50
ROW postage is £8.50


All LPs are dispatched in purpose made mailers, the lp is removed from the sleeve and both are protected with 2 purpose made stiffeners.

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All our gradings are to record collector specification, (guide is below for your convenience if you are unfamiliar with it) All items posted within 2 working days of payment * ( SAT & SUN excluded ) from UK address, if not delivered within 7 / 10 days, please contact me (any claim for non delivery must be made within 1 month of the order date).All items have a no quibble guarantee, we only want happy customers, so if you are in any way unhappy with your purchase you may return it within seven days of receipt requesting a refund. Our only proviso is that you contact us first and let us resolve the problem, so please do not leave negative feedback in a fit of pique, apart from that, we trust you, as we know you are a wonderful human being, and any disreputable behaviour is beneath you

Record Collector Magazine's Grading Guide:
"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."
As well as the above grades, Near Mint is often used as well; this is really for a record that appears new but is known to have been played because the label has light spindle marks or because it has come from a previous owner and is assumed to have been played by them. For records which appear to fall between the accepted grades, + and - are also often added to the grading.
















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