Sold Date: June 28, 2015
Start Date: June 21, 2015
Final Price: $19.99 (USD)
Bid Count: 1
Seller Feedback: 1812
Buyer Feedback: 3

Here is a NEAR MINT MINUS! LP by ELLIOTT SMITH titled EITHER/OR. It is an US pressing on the KILL ROCKS label, catalog #KRS 269 in STEREO sound and released in 1997. The vinyl is in NEAR MINT MINUS! condition, shiny and black, and should have superb playback. It comes with ITS’ UNIQUE LYRICS INSERT! The cover is in NEAR MINT MINUS! condition. It is your opportunity to purchase this HARD TO FIND! LP by ELLIOTT SMITH in this condition. It’s a true gem for the ALTERNATIVE / INDIE ROCK collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Darryl Cater

's third album sees his one-man show getting a little more ambitious. While he still plays all the instruments himself, he plays more of them. Several of the songs mimic the melody mastery of pop bands from 1960s. The most alluring numbers, however, are still his quietly melancholy acoustic ones. While the full-band songs are catchy and smart, 's recording equipment isn't quite up to the standards set by  and . The humbler arrangements are better suited to the sparse equipment. "Between the Bars," for example, plays 's strengths perfectly. He sings, in his endearingly limited whisper, of late-night drinking and introspection, and his subdued strumming creates a minor-key mood befitting the mysteries of self. "Angeles" is equally ethereal -- 's acoustic fingerpicking spins out notes which briskly move around a single atmospheric keyboard chord, like aural minnows swimming toward a solitary light at the surface of the water. The lyrics are a darkly biting rejection of the hypercapitalist dream machinery of Los Angeles (it would make a great theme song for 's label, Kill Rock Stars). Ironically, "Angeles" was included on the  soundtrack, which won  the acclaim of Hollywood's biggest, brightest, and best connected voting body, the Academy of Motion Picture Arts & Sciences. 's stock in L.A. soared after he took his bow at the Oscars with  and . It might have been more interesting had he sung "Angeles."