Sold Date: November 15, 2015
Start Date: November 5, 2015
Final Price: $92.00 (USD)
Bid Count: 18
Seller Feedback: 1993
Buyer Feedback: 8

Here is an EXCELLENT! RARE!! DEBUT! SELF TITLED LP by NEIL YOUNG. It is an ORIGINAL! US pressing on the “2-TONE” REPRISE label, catalog #RS 6317 in STEREO sound and released in 1968. The vinyl is in EXCELLENT! condition shiny and black with a some wispy non-sounding hairlines and should have excellent playback. The GATEFOLD COVER is the RARE!! “NO NAME AT TOP!” in EXCELLENT PLUS! condition with very light surface/ring wear, very light corner and edge  wear. It is an opportunity to purchase this RARE! FIRST PRESSING! DEBUT! LP by NEIL YOUNG in this condition. It’s a true gem for the ALBUM ROCK / COUNTRY ROCK / PSYCHEDELIC ROCK / GARAGE ROCK / ROCK collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING SO US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by William Ruhlmann

On his songs for ,  had demonstrated an eclecticism that ranged from the rock of "Mr. Soul" to the complicated, multi-part arrangement of "Broken Arrow." On his debut solo album, he continued to work with composer/arranger , with whom he had made "Expecting to Fly" on the  album, and together the two recorded a restrained effort on which the folk-rock instrumentation, most of which was by , overdubbing himself, was augmented by discreet string parts. The country & western elements that had tinged 's sound were also present, notably on the leadoff track, "The Emperor of Wyoming," an instrumental that recalled the  song "A Child's Claim to Fame." Still unsure of his voice,  sang in a becalmed high tenor that could be haunting as often as it was listless and whining. He was at his least appealing on the nine-and-a-half-minute closing track, "The Last Trip to Tulsa," on which he accompanied himself with acoustic guitar, singing an impressionistic set of lyrics seemingly derived from 's . But double-tracking and the addition of a female backup chorus improved the singing elsewhere, and on "The Loner," the album's most memorable track,  displayed some of the noisy electric guitar work that would characterize his recordings with  and reminded listeners of his ability to turn a phrase. Still,  made for an uneven, low-key introduction to 's solo career, and when released it was a commercial flop, his only album not to make the charts. (Several months after the album's release,  remixed it to bring out his vocals more and added some overdubs. This second version replaced the first in the U.S. from then on, though the original mix remained available overseas.)