Sold Date: May 10, 2016
Start Date: January 11, 2016
Final Price: $29.99 (USD)
Seller Feedback: 3242
Buyer Feedback: 0

2014 Limited Reissue
Only 1000 Copies
180 gram 2xlp vinyl
Printed Inner Sleeves
THESE COPIES HAVE A COUPLE OF VERY MINOR CORNER PUSHES/BENDS!! SEE PICS, SOLD AS IS

NEW & SEALED!!
Mezzanine is the third studio album by English trip hop group Massive Attack, released on 20 April 1998 by Virgin Records.
It was the first album to be produced by Neil Davidge, along with the group. The entire album was provided on their website for legal download many months before the physical release was announced. It was one of the first major uses of the MP3 format by a commercial organisation.
The album is the band's most commercially successful to date. Upon release it went to the number one spot in the UK, Australian, Irish and New Zealand album charts.
Musically, Mezzanine is a major departure from the jazzy and laidback sound of the first two albums (Blue Lines and Protection), invoking the dark undercurrents which had always been present in the collective's music. The album's textured and deep tone relies heavily on abstract and ambient sounds, as demonstrated in the song "Angel" among others.
Similar to their previous albums, the majority of the songs consists of one or more samples, ranging from Isaac Hayes to Led Zeppelin. In 1998 Manfred Mann sued Massive Attack for unauthorised use of a sample of the song "Tribute" from Manfred Mann's Earth Band's eponymous 1972 album, used in "Black Milk". The song has subsequently appeared as "Black Melt" on later releases and at live performances, with the sample removed.
Mezzanine marked the parting of band member Andrew Vowles, due to creative conflicts. Horace Andy, a well-known reggae artist, also performed several spots on the album.
  TRACKLIST Side A
A1 Angel 6:18 A2 Risingson 4:58 A3 Teardrop 5:29 Side B
B1 Inertia Creeps 5:56 B2 Exchange 4:11 B3 Dissolved Girl 6:07

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PACKAGING

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wrapped tightly in A-fluted corrugated cardboard paper, which not only is more environmentally sound than bubble wrap, 

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for any shifting. Which in turn, helps prevent seam splits, bends and pushes. We reuse every box that comes through our

doors and put them to good use. We personally cut 1” corner pieces from the recycled boxes to reinforce the corners on 

the outside of the record mailers. This is to assist in the protection of your vinyl in transit, as we know USPS isn’t widely 

known for handling so delicately at all times. We ship records that are in open and resealable poly sleeves outside of the jacket

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-Danielle & Nathan Pelletier 

Revival Retro & Records