Sold Date:
April 19, 2024
Start Date:
April 7, 2024
Final Price:
$19.99
(USD)
Seller Feedback:
9530
Buyer Feedback:
0
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A series of great EDISON DIAMOND DISC recordings:
Billy Murray & Rachel Grant in a tune from early Jerome Kern/ P G Wodehouse Hit Musical
Rec Numb
50435-R
50435-L
Take
C
C
Title
HAVE A HEART (Jerome Kern): You said something
HER SOLDIER BOY (Sigmund Romberg): I'd be happy anywhere with you
Artist
Gladys Rice (S) <Rachael Grant>, Billy Murray (T), (O)
Betsy Lane Shepherd (S) <Bettina Bergere>, George Wilton Ballard (T), (O)
Recorded
1917.01.26
1917.02.09/15
Place
NYC
NYC
Comment
acoustic
acoustic
Superb Paper label Edison Diamond Disc Vertical 10" 78 rpm record
Condition: EXCELLENT MINUS/ VG++, unworn light rubs, tiny edge chips on R Side do not touch grooves, plays E- Very QUIET rare ticks and pops Still a GREAT COPY
Billy Murray newspaper ad from 1919 William Thomas "Billy" Murray (25 May 1877 - 17 August 1954) was one of the most popular singers in the United States in the early decades of the 20th century. While he received star billings on Vaudeville, he was best known for his prolific work in the recording studio, making records for almost every record label of the era. He was probably the best selling recording artist of the first quarter of the 20th century. He was born in Philadelphia, Pennsylvania, the son of immigrants from Ireland. He became fascinated with the theater and joined a traveling vaudeville troupe in 1893. He also performed in minstrel shows early in his career. He made his first recordings for a local phonograph cylinder company in San Francisco, California in 1897. He started recording regularly in the New York City and New Jersey area in 1903, when the nation's major record companies as well as the Tin Pan Alley music industry were concentrated there. In 1906 he waxed the first of his popular duets with Ada Jones. He also performed with Aileen Stanley, the Haydn Quartet, and the American Quartet (also known as the Premier Quartet), in addition to his solo work. He had a strong tenor voice with excellent enunciation and a more conversational delivery than common with bel canto singers of the era. On comic songs he often deliberately sang slightly flat, which he felt helped the comic effect. While he often performed romantic numbers and ballads which sold well at the time, his comedy and novelty song recordings continue to be popular with later generations of record collectors.
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