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WHITEY ALBUM - CICCONE YOUTH REMASTERED [VINYL NEW]

Sold Date: January 27, 2014
Start Date: July 13, 2013
Final Price: £10.02 (GBP)
Seller Feedback: 231376
Buyer Feedback: 173

This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.


WHITEY ALBUM - CICCONE YOUTH REMASTERED [VINYL NEW]

Label: GOOFIN
Format: LP
Release Date: 11 Apr 2006

Brand new. Ships usually within three business days from California, USA. Delivery via USPS Airmail and Royal Mail, may take 5-14 days. You are an importer of goods and might be charged customs fees and taxes by the government of your country.

Album Tracks

1. Needle Gun
2. (Silence)
3. G-Force
4. Platoon II
5. Macbeth
6. Me and Jill/Hendrix Cosby
7. Burnin' Up
8. Hi! Everybody
9. Children of Satan/Third Fig
10. Two Cool Rock Chicks Listening to Neu
11. Addicted to Love
12. Moby-Dik
13. March of the Ciccone Robots
14. Making the Nature Scene
15. Tuff Titty Rap
16. Into the Groove(y)
17. Macbeth [*][Mix]


On its initial release, The Whitey Album was treated like a collaboration between Minutemen bass virtuoso Mike Watt and punk rock revolutionaries Sonic Youth. This would have been a perfect match, with two enormous talents coming together for an entire album. But in reality it is far stranger than that: a highly experimental tribute to Madonna performed by Sonic Youth with the exception of one song that is entirely played by Mike Watt without any other musicians accompanying him. The DGC re-release features a cleaner sound and the original packaging from the 1988 SST version, along with liner notes written by Watt explaining his small role in the project. His song, a cover of Madonna's "Burnin' Up," is a smooth, groovy home recording that showcases his rich voice. Sonic Youth takes a shot at "Into the Groove" (renamed "Into the Groovey") and manages to mold a fantastic dirge out of the original. Thurston Moore's lazy vocals pair up with Madonna's sampled voice seamlessly, and the low-quality production only adds to the homegrown feel. Besides Kim Gordon's karaoke remake of "Addicted to Love," little else on this album resembles a normal song. Edgy noise experiments and heavy sound manipulation make these songs more than interesting, and the emphasis on dance rhythms keeps things from getting too unlistenable. Although the song order is questionable (after the first song there is a minute of silence), this album is incredibly fun and experimental. Although it was only a side project, the intense creativity of this time in Sonic Youth's career spills out all over this album, making it a rare treat for fans. ~ Bradley Torreano, All Music Guide