Various Artists - Twins Of Evil Music BY Harry Robinson [Vinyl New]

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Start Date: August 14, 2013
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Various Artists - Twins Of Evil Music BY Harry Robinson [Vinyl New]

Label: DEATH WALTZ
Format: LP
Release Date: 25 Jun 2013

Brand new, sealed, ships within 1 business day.

Album Tracks

1. THE BROTHERHOOD STRIKES/OPENING CREDITS (04:22)
2. CONFRONTATION IN THE FOREST (00:55)
3. THE BODY IN THE WOODS/THE CLEANSING (03:02)
4. THE RESURRECTION OF MIRCALLA (04:12)
5. MIRCALLA CLAIMS KARNSTEIN (03:03)
6. WEILS WARNING / KARNSTEINS MENACE (00:36)
7. KARNSTEINS GUEST (01:27)
8. MARIA ALONE (00:59)
9. KARNSTEIN CLAIMS FRIEDA/ANOTHER BURNING (03:11)
10. THE MIRROR REVEALS FRIEDA / DIETRICHS FINAL JOURNEY / HORROR AT THE SCHOOL (01:50)
11. THE ENEMY WITHIN (01:10)
12. THE CRUCIFIX REPELS KARNSTEIN / KARNSTEIN KIDNAPS MARIA (01:07)
13. THE DECEPTION BEGINS / FRIEDA ESCAPES (01:55)
14. THE SEDUCTION OF ANTON/MARIAS FATE (03:53)
15. MARIA IS RESCUED (02:13)
16. THE HUNT FOR KARNSTEIN/FRIEDA IS BEHEADED (06:18)
17. FINALE AND END CREDITS (04:30)


Vinyl LP pressing. Digitally remastered soundtrack from acclaimed composer Harry Robinson. When Robinson first saw footage from Twins Of Evil he was struck by the scenes of Gustav Weil (Peter Cushing) and his witch-finding Brotherhood thundering through the countryside on horseback. Soon after, he began composing a score inspired by Spaghetti Westerns. Twins of Evil was shot from March to April 1971. The previous year the age restriction for the 'X' certificate had been raised from 16 to 18. This relaxation, combined with Hammer's recent assimilation of independent producers Harry Fine and Michael Style, led to some relatively extreme filmmaking in the early part of the decade. The potentially kinky scenario of Twins of Evil is fairly restrained, at least in comparison to previous Fine and Style productions such as The Vampire Lovers and Lust for a Vampire, but the film clearly belongs to a more violent and sexually explicit era of Hammer horror. It's therefore entirely appropriate that Robinson's music occasionally lacks the delicacy of Hammer scores from previous decades.