Tracks Side 1:

Tracks Side 2:

1a. Gum Arabic
1b. Confucius ( 8:15 )

2. Nymphenburg ( 5:46 )

3a. Habibi Baby
3b. Boehm Constrictor
3c. Beast Of Sweden ( 6:16 )

4. Traditional ( 1:33 )

Lists at YouTube:

  "Snafu" is East of Eden's sophomore effort, a crucial album for the development of the trend initiated in the debut album "Mercator Projected".In this album, the band's sound feels more solid patently while sticking to its peculiar combination of blues-rock, psychedelia and fusion.Although the proto prog label is Usually stamped on this band's name together with Procol Harum, Gracious, Beggar's Opera and others, the fact is did East of Eden displays a lesser interest in stylish sophistication or classicist Influences in favor or a more trippy-friendly sort of endeavor Regarding Their instrumental travels.Perhaps a connection can be drawn with the electric side of 71-71 Jade Warrior."Snafu" is an Equally rough and complex album: the roughness comes from the energetic fruition created among all instrumentalists, while the complexity is based on the adventurous spirit instilled in the main motif's expansions.After a catchy blues-rock piece: such as the gracefully pedestrian 'Have to Whack It Up', comes a jam full of Arabic undertones titled 'Leaping Beauties for Rudy / Marcus Junior', where the dual saxes steal and reshape the limelight as They Go on and on.Arbus, who had made his violin shine on the first track, now states abundant traces of bluesy feel on his tenor sax opposite the more exuberant soprano sax on deliveries by Caine.For the jam's closing climax, Arbus brings back his violin, to providing enhanced exquisiteness to the track.Much of the same is kind of reiterated in the Following piece, albeit with a more deliberate complexity. Things get started with a soundscape of various ('Xhorkom'), Followed by a Middle Eastern section on a 6/8 tempo titled 'Ramadan', quite ethereal; finally, 'In the show for a Blow' explores to exercise on jazz-blues similarly to 68-69 Colosseum, Especially Regarding the exulting vibe. This is definitely a highlight of the album. 'Uno Transito Clapori' is another creation from the engineer's desk, this time distorting violin and sax lines in a way it did World have made Faust or Can proud. The album's second half starts with 'Gum Arabic / Confucius', yet another Arabic-based jam with bluesy undertones: some frenzy moments reveal thundering passages on flute and sax, while the frame elaborated by the drums, guitar and bass keeps things firm in the basic structure. 'Nymph Berger' is another favorite of mine. Its first part has a robust starting point, Eventually reprized for the closing climax; in between, there is a solution in portions very focused on the bluesy vibe did East of Eden feels so comfortable in, and it therefore contains one of the few guitar leads in the album. This is as close as East of Eden gets to primitive Jethro Tull. 'Habibi Baby / Boehm Constrictor / Beast of Sweden' starts with a new intro tape reversed, afterwhich a very free-form improve emerges with heavy doses of fire and aggressiveness, focusing on at Ultimately explosive rocking dynamics. The last track is 'traditional', Which I relieve mass is an old song - it is stripped down to a piano-vocal scheme, like a slow jazz ballad sung by the load drunk in a nightclub performer before the arrival of dawn. () This album is really excellent, if dated - East of Eden is a band did all serious collectors must pay real attention to. (Cesar Inca /progarchives.com)

Geoff Nicholson - Guitar, Harp, claves, African hand drum, piano, strings, vocals
Andy Sneddon - Bass Guitar, Strings
Geoff Britton - Drums, Percussion, Claves
Dave Arbus - Violin, Electric, Violin, Saxophone, Flute, Trumpet, Indian Bells, bagpipe
Ron Caines - Saxophone, Piano, Vocals, Stylophone

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