Sold Date:
July 1, 2015
Start Date:
June 28, 2015
Final Price:
$39.99
(USD)
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JAZZ LP: DOROTHY ASHBY Afro- Harping Cadet DJLPS 809 Promo Copy
Afro-Harping Featuring Soul Vibrations and Paul [sic} Upchurch, guitar, unnamed bassist, drummer and flute. Original tunes by Dorothy Ashby, Richard Evans and Freddie Hubbard. Arranged, Conducted and Produced by Richard Evans. Recording Engineer Doug Brand. Cover Photo Don S. Bronstein. Album design Jerry Griffith with Harp from Lyon and Healy, Chicago, and African artifacts from Sticks & Stone, Harper’s Court, Chicago. Recorded at Ter-Mar Studios, Chicago, February 1968. Comes in a worn Cadet inner sleeve with LP images. Liner notes on rear jacket by Del Shields, Executive Secretary, NATRA, WLIB, NYC.
Light blue Cadet promo label; color is faded.
(From the liner notes) After studying in Detroit, then Wayne State University, the artist who had begun on piano emerged as the leading jazz harpist in the country. She taught and led a number of groups, and recording sessions teamed her harp with bass and drums, with trombones, bass and drums, and with vibes, bass and drums. Recipient of the 1952 Downbeat International Jazz Critics Award, and that magazine’s readers’ award. Past recording projects teamed her with Richard Davis, Grady Tate, Willie Bobo, Jimmy Cleveland, Quentin Jackson, Tony Studd, Sonny Russo, Terry Pollard, Herman Wright, Jimmy Cobb, John Tooley and others.
Tracks: Soul Vibrations, Games, Action Line, Lonely Girl (From”Harlow”), Life Has Its Trials, Afro-Harping, Little Sunflower, Theme (From “Valley Of The Dolls,”) Come Live With Me, The Look Of Love.
VG+ with light scuffs and some tiny red specks on vinyl (plays through). Jacket VG with edge wear, name written in ink on back, scuffing to jacket cover with edge wear, no edge or spine splits, but medium to severe wear on spine and wear to top and bottom edges. Light wear and small paint chip on back.
GRADING:
LPs, 45s, and EPs are graded M (mint), NM (near mint), VG+, VG (very good), VG-, G+, G (good), G-, F (fair), and P (poor). A NM record will show no more than slight handling wear. A VG+ record may have some visible scuffs and light scratches and plays well with little surface noise. Some scratches on records graded VG, VG-, and below may be deep enough to feel with your fingernail, or there may be scratches or groove wear throughout that cause surface noise, but the record still plays well. On records in the G+, G and G- range the level of the music is still above the surface noise caused by scuffs, scratches and groove wear. Surface noise may be as loud as the music on records graded F and louder than the music on P records. P records are likely to be unplayable.
LP and EP jackets graded VG+ have only slight wear; jackets graded VG are more worn but still intact unless defects are noted. G jackets show definite damage and F and P jackets are probably falling apart. Splits, markings, cut corners and other defects will be noted.
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