Tracks Side 1:

1. Introit: Twenty Thousand People (3:23)

2. Gloria In Excelsis: Toccata (2:36)

3. Avarice: Daddy's Thing (2:25)

4. Pride: Pride (2:56)

5. Sloth: Open Up Your Eyes (3:04)

6. Wrath: Gemegemera (3:02)

Tracks Side 2:

1. The Secrets: Devil's Hymn (3:35)

2. Lust: Maybe You're The Same (2:35)

3. Envy: I'm Talking As A Friend (4:12)

4. Gluttony: Something Is Threatening Your Family (2:53)

5. The Dismissal: Twenty Thousand People (3:43)

Listen At YouTube:

"One look at the cover and it should be clear that producers Simon Napier Bell and Ray Singer (who also penned about six of the tracks here) were trying to capitalize on the look and feel of Jesus Christ Superstar with this concept album that is laid out like a Catholic mass. The only musicians credited are Tony Newman (g), Max Simms (bass), and Mike Newman (d); there’s also vocalists (an entire choir on a couple tracks), piano, organ, violins, cellos and much more – which naturally leads one to believe this is more an album by the two producers, than that of the “band”, although the Newman brothers are credited with writing the remaining five songs. So what’s it all about? Imagine an eclectic mix of sixties styled rock and pop songs (early Who or pre-psychedelic Beatles might be a fair comparison) separated by short dissonant string quartet interludes, short spoken introductions, with some classical rips (the “Toccata” with the choir singing the names of the sins over and over is quite ridiculous, as is the silly doo-wop meets Elvis “Dismissal”, but the bombastic “Devil’s Hymn” for choir and band is quite cool, with its jazzy center section). The meat of the album is in the songs though, all of which sound a little dated (even by 1969 standards) but are still quite good. From the poppy “Envy: I’m Talking as a Friend” and “Pride”, to the out-and-out rockers “Sloth: Open Up Your Eyes” and “Gluttony: Something is Threatening Your Family”, the song-craftsmanship and arrangements throughout are at a very high level. Probably not for everyone, but those into sixties styled eclecticism might do well to check it out. - Peter Thelen"

"As Plus, brothers Mike (drums) and Tony (guitar) Newman and bassist Max Simms found an impressive mentor in the form of ex-Yardbirds bassist/producer Simon Napier-Bell. Napier-Bell was apparently instrumental in getting the trio a recording deal with ABC's short-lived Probe subsidiary.

In addition to co-producing 1969's "The Seven Deadly Sings", Napier-Bell and Ray Singer were credited with co-writing roughly half the album. A goofy concept piece (any guesses on the plotline), the set seemed to be a clumsy effort to cash in on the public's renewed interest in religion (aka "Jesus Christ Superstar", or "Mass In F Minor" Electric Prunes). Thematically and lyrically the album was clearly linked via brief spoken intros and instrumental interludes, which makes it even funnier to discover that musically the set's all over the spectrum. Material such as the instrumental "Gloria In Excelsis: Toccata" and "The Secrets: Devil's Hymn" mixed classical moves with chuch choirs and progressive moves. Elsewhere "Pride: Pride" and "Envy: I'm Talking As a Friend" offered up a startling pair of Badfinger-styled pop jewels, while "Avarice: Daddy's Thing" was surprisingly funky and "Wrath: Gemegemera" was standard hard rock. Needless to say, sales were far and few. (The album was originally released with an embossed, gatefold cover.) " (akashaman.blogspot.de)

Tony Newman - Guitar
Max Simms - Bass
Mike Newman - Drums

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