Tracks Side 1:

1. ZARATHUSTRA (20:35)
A) L'Ultimo Uomo   
b) Il Re Di Ieri
c) Al Di Là Del Bene E Del Male   
d) Superuomo   
e) Il Tempio Delle Clessidre   

Tracks Side 2:

1. Degli Uomini (4:04)

2. Della Natura (8:28)

3. Dell'Eterno Ritorno (6:18)

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Museo Rosenbach were A short-lived Italian progressive band FOR their 1973 release ZARATHUSTRA . A concept album freely inspired by The controversial works of philosopher Friedrich Nietzsche and 'Thus Spoke ZARATHUSTRA '. Unfortunately, at The Time of its release, The album was widely disregarded because ofThe far right-wing views found within The Nietzsche-inspired lyrics. The band suffered FOR their political ideals, which prevented them From The child of attention they deserved. Museo's musical palette contained A dash of Van Der GraafGenerator , Comparisons To early KING Crimson are also inevitable; this is symphonic progressive rock with A rough edge. While The group's particular brand was less experimental than A of Italian prog, their compositions were equally challenging constructions, filled with Time changes and eccentricities. Something is always happening.

Though The MUSIC HEAVY , it STILL Manages To remain melodic and fluid; The only Time it really softens is during The excellent superuomo. The traditional rock ensemble of electric guitar, bass and drums has plenty To The mellotron and Hammond organ capable of taking On both lead and supporting roles. The continually captivating interplay is A result of of Focus), varied and beautifully arranged keyboards, A versatile rhythm section (featuring solid bass guitar in tandem with propulsive and perfectly timed drumming), and strong, expressive Italian vocals. It all comes together into A constant tension, topped by majestic outbursts of The mellotron. Stefano Lupo Galifi's singing is bold and passionate, elevating The rest of TheMUSICToA higher level.

The side-long title epic is an absolute killer, starting in moderately lush and melodic form, until it slowly becomes More And More intense. Despite The notable KING Crimson and ELP influences here, Museo came up with something fairly original and ultimately very strong, The track seeming much shorter than its actual twenty-minute length. The other three cuts, Degli Uomini, The grandiose Della Natura (dramatic in A ofTheSame quality, although not as focused as The record's main theme.

Dead spots are hard To find, as The From loud and powerful To soft and melodic playing are quite amazing. if there's anything To complain about at all, then it might be The A few transitions that aren't entirely cohesive. FOR fans of harder-edged 70's progressive with no lack of spectacular moments, these are however minor issues. ZARATHUSTRA is an epitome of what HEAVY The Particular Time in which it was made. (ProgJect, August 2nd, 2012 / sputnikmusic.com)

Giancarlo Golzi - drums, timpani, bells, vocals
Alberto Moreno - bass, piano
Enzo Merogno - Guitar, Vocals
Pit Corradi - Mellotron, Hammond Organ, Vibraphone, Electric Farfisa Piano
Stefano "Lupo" Galifi - vocals

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