LP RAW MATERIAL Time Is...(Re) Ethelion ET 1012 - MINT/MINT (+ Bonustracks)
Sold Date:
January 3, 2021
Start Date:
May 23, 2020
Final Price:
€19.99
(EUR)
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LP RAW MATERIAL
Time Is...
Country of release: EU, 2020
Original
released: 1971
Label:
Ethelion
Catalogue
number: ET 1012
Barcode: 4740137610128
Klappcover/Gatefold
Sleeve: Ja/Yes
Condition
Record: MINT
Condition Cover: MINT
LP ist noch verschweißt / LP IS STILL
SEALED !!!
(Photo
von meiner eigenen LP / Photo
taken from my own copy)
Tracks Side
1:
1. Ice Queen (6:42)
2. Empty Houses (7:20)
3. Insolent Lady (8:52)
a) By The Way
b) Small Thief
c) Insolent Lady
4. Time And Illusion (3:10) (Bonustrack, Single A-Side, 1969)
Tracks
Side 2:
1. Miracle Worker (4:42)
2. Religion (4:26)
3. Sun God (11:15)
a) Awakening
b) Realisation
c) Worship
4. Ride On Pony (3:16) (Bonustrack, Single A-Side, 1971)
Listen
At YouTube:
British band Raw Material recorded two albums over the course of as many
years between 1970-71, and the second album from the band, `Time Is...'
is a strong collection of mostly Proto-prog styled pieces with light
psych, jazz and folk elements. Due to the inclusion of saxophone/flute
player Mike Fletcher, fans of the sax dominated early King Crimson
albums and Van der Graaf Generator will find much to appeal here, with
bands such as Beggars Opera, Pink Floyd and Novalis also other possible
little reference points. It's not an album that instantly impresses,
instead one that gradually reveals the consistently strong instrumental
and compositional skills of the band on repeated plays.
On lead track `Ice Queen', the band were evidently quite influenced by
Van der Graaf Generator, but although the sax lines throughout almost
exactly recreate the VdGG classic `Killer', accusations of this band
being an outright clone of them are completely false! A powerful and
dramatic opener with howling winds, a dominating vocal from keyboard
player Colin Catt, drifting flute and snarling lead guitar, with a
nimble spiraling piano and thrashing drums driven jazz breakdown in the
middle. Announcing intimidating sax opens `Empty House', a deranged
Roger Water-esque vocal from Colin snarling `You and me can have some
fun, empty houses one by one...'! Plodding heavy Uriah Heep-style
guitars, treated droning sax over commanding acoustic guitars before
heavy electric grooves twist the piece.
The first extended piece `Insolent Lady' incorporates soft dreamy Pink
Floyd-like acoustic guitar passages, a warmer vocal, glistening electric
piano, heavier sax, shimmering cymbal crashes, rising organs and gentle
washes of synths that almost bring a rising and falling orchestral
quality. `Miracle Worker' reminds instantly of Beggars Opera, a more
upbeat melodic tune driven by addictive Hammond organ, Cliff Harewood's
rapid fire mangled Byrds-like guitar licks and a catchy distorted
electric piano solo in the middle over smashing drums.
There's a very slight psychedelic period Beatles sound on `Religion',
mostly one chord played over and over behind dirty honking sax blasts,
the imposing drumming building in urgency throughout to become quite
hypnotic. The three part extended closer `Sun God' offers plentiful
changing moods. The first section `Awakening' delivers an unhurried
acoustic guitar and flute passage not unlike the drowsier Novalis
moments, quickly shattered by the raucous `Realization' with wild vocals
and clattering percussion, thick Hammond organ stabs and lusty guitar
grooves before calming down into mellow jamming, the murmuring bass a
highlight. After a brief reprise of the first section, `Worship' closes
the album on a reflective ocean of fading-in placid synths before a
final stirring sax fanfare.
There's no absolute classics to be found here, nor should the album ever
be confused with being a lost classic, but `Time Is...' is still a
strong and solid collection of early prog- influenced tunes, and it's a
shame the band didn't get a chance to offer more works from here. It's
definitely one to consider adding to the collection if you come across
an LP or a CD reissue at a decent price, and it remains a very enjoyable
album that deserves a bit more attention.
(Aussie-Byrd-Brother/progarchives.com)
David Greene - Electric Guitar, Acoustic Guitar
Phil Gunn - Bass, Acoustic Guitar
Colin Catt - Vocals, Keyboards
Paul Young - Percussion
Michael Fletcher - Saxophone, Flute, Vocals &
Cliff Harewood - Guitar (Track 1)
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