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WE CURRENTLY HAVE   MORE THAN 600   LISTED ITEMS

 

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·       LOVE - FOREVER CHANGES – VERY RARE RECORD STORE DAY 2012-ONLY, EXCLUSIVE LIMITED EDITION OF ONLY 1500 COPIES, MASTERED FROM THE ORIGINAL ANALOG STEREO MASTERS AND PRESSED ON AUDIOPHILE-GRADE 180-gram VIRGIN VINYL; INCLUDES RARE BONUS 7" REPLICA OF THE ORIGINAL 1967 'ALONE AGAIN OR' ELEKTRA SINGLE -  RHINO/ELEKTRA STEREO  LP STEREO LP R1-74013

 

·       GENUINE  U.S. PRESSING

 

 

*** STILL SEALED LIMITED EDITION OF ONLY 1500 COPIES ,  RECORD-STORE DAY-ONLY EXCLUSIVE AUDIOPHILE PRESSING  ***

 

 

·       BELIEVED TO BE PRESSED ON THE TAN (BROWN) ELEKTRA LABEL WITH LARGE WHITE 'E' LOGO WHICH MIMICS THE ORIGINAL 1967 ELEKTRA LABEL

 

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       COVER HAS THREE (3) NIFTY 'HYPE' (ADVERTISEMENT) STICKERS STILL AFFIXED TO THE SHRINK WRAP.

 

·       THICK, HEAVY VINYL PRESSING

 

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

 

 

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Love's Forever Changes made only a minor dent on the charts when it was first released in 1967, but years later it became recognized as one of the finest and most haunting albums to come out of the Summer of Love, which doubtless has as much to do with the disc's themes and tone as the music, beautiful as it is. Sharp electric guitars dominated most of Love's first two albums, and they make occasional appearances here on tunes like "A House Is Not a Motel" and "Live and Let Live," but most of Forever Changes is built around interwoven acoustic guitar textures and subtle orchestrations, with strings and horns both reinforcing and punctuating the melodies. The punky edge of Love's early work gave way to a more gentle, contemplative, and organic sound on Forever Changes, but while Arthur Lee and Bryan MacLean wrote some of their most enduring songs for the album, the lovely melodies and inspired arrangements can't disguise an air of malaise that permeates the sessions. A certain amount of this reflects the angst of a group undergoing some severe internal strife, but Forever Changes is also an album that heralds the last days of a golden age and anticipates the growing ugliness that would dominate the counterculture in 1968 and 1969; images of violence and war haunt "A House Is Not a Motel," the street scenes of "Maybe the People Would Be the Times or Between Clark and Hillsdale" reflects a jaded mindset that flower power could not ease, the twin specters of race and international strife rise to the surface of "The Red Telephone," romance becomes cynicism in "Bummer in the Summer," the promise of the psychedelic experience decays into hard drug abuse in "Live and Let Live," and even gentle numbers like "Andmoreagain" and "Old Man" sound elegiac, as if the ghosts of Chicago and Altamont were visible over the horizon as Love looked back to brief moments of warmth. Forever Changes is inarguably Love's masterpiece and an album of enduring beauty, but it's also one of the few major works of its era that saw the dark clouds looming on the cultural horizon, and the result was music that was as prescient as it was compelling.

 

 (EXCERPT FROM AN ONLINE REVIEW BY MARK DEMING, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

Probably one of the very few albums that can invoke a total, universal consensus: this is one of the most beautiful - and important - albums of the rock era. Recorded in mid-1967, just as LOVE's original line-up was about to disintegrate, Elektra’s house producer and engineer, Bruce Botnick (who went on to record and produce virtually every Doors’ album) assembled a stellar studio band - which included, among others, Hal Blaine, legendary studio drummer - to support the faltering "Love" members while they were bickering in the studio. The impact of this "parallel" group of musicians was swift and massive: the band somehow perceived them as a competition and a threat, and managed to regain its composure and creativity and  to create one of the most enduring minor-key masterpieces ever committed to vinyl. If you have never heard this album, take my word: you are missing a lot. The album aged better than 99% of its contemporaries and attained a genuine cult status. Cited by many rock stars as their source of inspiration (various members of Led Zeppelin and Fairport Convention come to mind), the impact this majestic album still exerts on rock music (and aesthetics) cannot be overestimated. Finally, the cover art for this album is one of the most memorable and recognizable visual presentations in all of contemporary music, and a great artistic accomplishment to boot. So much so that Arthur Lee himself mimicked it on his 'Forever Changes Reunion Tour' album.  

 

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship,  revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or   for the complete album listing)

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► 

 

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·                               CONDITION:

 

·                               RECORD

 

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►.

 

(b)          The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)           The record comes in a hi-grade MFSL PVC inner sleeve (we can see it through the opening)

 

(d)          Includes rare Record Store Day-only (not present in regular copies of this album) bonus replica single of 'Alone Again Or"

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

COVER IS STONE MINT, STILL SEALED AND NOTHING SHORT OF ABSOLUTE PERFECTION, WITHOUT EVEN A HINT OF A FLAW OR DEFECT; A KIND OF BEAUTY YOU ONLY GET TO SEE ONCE IN A LIFETIME.

 

NO IMPERFECTIONS ON THE COVER:

 

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►. While you can be rest assured that ►, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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(please note recent changes in our policy)

 

 

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FOR OTHER IMPORTANT INFORMATION, CLICK ON THE LINKS BELOW:

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 7 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►  for the full text of our policy

 

 

© 2001,2007 MDJ. All rights reserved.

 

 

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