This record is used!  “Cover has wear & a crease bottom right corner,                                 Original inner sleeves with lyrics are starting to split . A few clicks throughout, beside that, Both records play VG+ or better,      * No Bar Code *   >>  Double Album <<

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About this Album:

The Wall The Wall by Released30 November 1979RecordedDecember 1978 – November 1979Studio   Super Bear Studio   (France)  (New York) Producers Workshop (Los Angeles)     Length80:54          
The Wall
(1979)



 from The Wall " / "
Released: 23 November 1979 " / "
Released: 17 April 1980 " / "
Released: 23 June 1980

The Wall is the eleventh  by the English  band , released as a  on 30 November 1979 by  in the United Kingdom and by  in the United States. It is the last studio album released with the line-up of guitarist , bass guitarist and lyricist , keyboardist , and drummer  before Wright was fired from the band. Waters conceived the album during Pink Floyd's 1977 , when his frustration with the audience became so acute that he spat on the audience. As with Pink Floyd's prior three albums, The Wall is a , exploring themes of abandonment and personal isolation. It is a  that follows Pink, a character whom Waters modeled after himself and the band's original leader . Pink's life begins with the loss of his father during the  and continues with abuse from his schoolteachers, an overprotective mother, and the breakdown of his marriage. All of these factors contribute to his eventual self-imposed isolation from society, represented by a metaphorical wall. The album features a harsher and more theatrical style than Pink Floyd's previous albums. Wright was unceremoniously fired from the band by Waters during its production but remained as a salaried musician, performing with Pink Floyd during the album's supporting tour.

The Wall became one of the best selling albums of 1980, and by 1999 it had sold over 23 million  certified units (11.5 million albums), making it the . The album was supported by a , and was adapted into a 1982 . The album features the band's only  to top various charts, "". In 2003,  placed The Wall at number 87 on its list of "".

Track listing

All tracks written by , except where noted. 

Side oneNo.TitleWriter(s)Lead vocalsLength1.""   Waters3:162.""   Gilmour, Waters2:273.""   Waters3:214.""   Waters1:465.""   Gilmour, Waters3:596.""   Waters, Gilmour5:32 Total length: 20:21Side twoNo.TitleWriter(s)Lead vocalsLength1.""   Gilmour2:452.""   Waters2:103.""  Waters, GilmourGilmour3:254.""   Waters3:415.""   Waters4:086.""   Waters1:487.""   Waters0:48 Total length: 18:45Side threeNo.TitleWriter(s)Lead vocalsLength1.""   Gilmour, Waters4:402.""   Waters2:443.""   Waters3:264.""   Waters1:355.""   Waters1:216.""  Gilmour, WatersWaters, Gilmour6:23 Total length: 20:09Side fourNo.TitleWriter(s)Lead vocalsLength1.""   Gilmour1:362.""   Waters4:153.""  Gilmour, WatersWaters, Gilmour4:204.""   Waters, Gilmour4:045.""   Waters0:306.""  Waters, EzrinWaters5:137.""   Waters1:41 Total length: 21:39 Personnel  – , , , , sound effects Pink Floyd  – , , , ,   – ,   – , , , ,  Additional musicians  – backing vocals  – backing vocals Joe Chemay – backing vocals Jon Joyce – backing vocals Stan Farber – backing vocals  – backing vocals  – piano; hammond organ; synthesizers; reed organ; backing vocals  – percussion; synthesizer; sound effects  – drums on "Mother" Children of  – vocals on "Another Brick in the Wall Part II" , Blue Ocean & 34 others – snare drums on "Bring the Boys Back Home"  – Rhythm guitar on "One of My Turns" Joe (Ron) di Blasi – classical guitar on "Is There Anybody Out There?"  – hammond organ on "In The Flesh?" and "In the Flesh"  – congas; bongos on "Run Like Hell"  – concertina on "Outside the Wall" Larry Williams – clarinet on "Outside the Wall" Trevor Veitch – mandolin on "Outside the Wall" New York Orchestra – orchestra New York Opera – choral vocals "Vicki & Clare" – backing vocals  – child's voice on "Goodbye Blue Sky" Chris Fitzmorris – male telephone voice Trudy Young – voice of the groupie Phil Taylor – sound effects Production team David Gilmour – co-producer; music on "Young Lust", "Comfortably Numb" and "Run Like Hell" Roger Waters – lyrics; music; co-producer  – production; orchestral arrangement; music on "The Trial"  – orchestral arrangement James Guthrie – co-producer; engineer Nick Griffiths – engineer Patrice Quef – engineer Brian Christian – engineer Rick Hart – engineer  – mastering John McClure - engineer Phil Taylor – sound equipment Gerald Scarfe – sleeve design

I am a music lover, I have been collecting and playing records since I was a child. I have also purchased many records on ebay, so I know first hand how important grading is to a buyer.        I use the goldmine grading system as a guide.          (see below for full details)

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Important Note :  (please read):

My records are play-graded  and rated accordingly. I DO NOT necessarily make note of, or take into consideration, any visual imperfections that do NOT affect the sound while being played on my turntable. If you would like a visual description of the vinyl itself, please ask, and I will be happy to provide one for you.         If you are buying my records to re-sell Please be aware that I sell records based on how they sound and Not on what they look like.

Goldmine Grading System:

Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed. (More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all. Near Mint (NM or M-)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.
Very Good Plus (VG+)   Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
Very Good (VG)   Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.
Good (G), Good Plus (G+)   Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.
Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.