Sold Date: December 6, 2017
Start Date: August 17, 2017
Final Price: $149.35 (USD)
Seller Feedback: 2394
Buyer Feedback: 4

Rolling Stones ‎– Let It Bleed
Label: London Records ‎– NPS 4
Format: Vinyl, LP, Album 
Country: US
Released: 1969
Genre: Rock, Blues
Style: Rock & Roll, Classic Rock, Blues Rock

Tracklist
A1 Gimme Shelter 4:30 A2 Love In Vain Written-By – Woody Payne (2) 4:18 A3 Country Honk 3:00 A4 Live With Me 3:35 A5 Let It Bleed 5:27 B1 Midnight Rambler 6:52 B2 You Got The Silver 2:51 B3 Monkey Man 4:12 B4 You Can't Always Get What You Want Drums – Jimmy Miller Featuring – The London Bach Choir* 7:28

Credits: Arranged By [Choir] – Jack Nitzche* (tracks: B4) Arranged By [Horns] – Leon Russell (tracks: A4) Artwork [Cover & Liner Design] – Robert Brownjohn Autoharp – Bill Wyman (tracks: A5), Brian Jones (5) (tracks: B2) Bass – Bill Wyman (tracks: A1, A2, A5, B1 to B4), Keith Richards (tracks: A4) Blues Harp – Mick Jagger (tracks: A1, B1) Design [Cover & Liner] – Nagota & Brownjohn Ltd. Design [Poster & Sleeve] – Victor Kahn (2) Drums – Charlie Watts Engineer [Assistant] – Bruce Botnick, George Chkiantz, Jerry Hansen Engineer [Chief] – Glyn Johns Fiddle – Byron Berline (tracks: A3) Guitar – Keith Richards, Mick Taylor (tracks: A4) Guitar [Slide] – Mick Taylor (tracks: A3) Mandolin – Ry Cooder (tracks: A2) Organ – Nicky Hopkins (tracks: B2) Percussion – Brian Jones (5) (tracks: B1), Jimmy Miller (tracks: A1), Rocky Dijon (tracks: B4) Photography By – Don McAllester Piano – Ian Stewart (tracks: A5), Leon Russell (tracks: A4), Nicky Hopkins (tracks: A1, A4, B2, B3) Piano, French Horn, Organ – Al Kooper (tracks: B4) Producer – Jimmy Miller Tambourine – Jimmy Miller (tracks: B3) Tenor Saxophone – Bobby Keys (tracks: A4) Vibraphone – Bill Wyman (tracks: B3) Vocals – Doris Troy (tracks: B4), Keith Richards (tracks: A1, A3, B2, B3), Madelaine Bell* (tracks: B4), Mary Clayton* (tracks: A1), Mick Jagger (tracks: A1 to A5, B1, B3, B4), Nanette Newman (tracks: A3, B4) Written-By – Mick Jagger, Keith Richards* (tracks: A1, A3 to B4)

Notes: 1st pressing. 
All selections written by Mick Jagger & Keith Richards. Published by Gideon Music Inc. (BMI) except Love In Vain - Written by W. Payne Noma Music Inc.: Nice Songs (BMI) Produced by Jimmy Miller - Manufactured by Nanker Phelge Music Ltd. An Abkco Record Co. Unauthorized public performance, broadcasting and copying of this recording prohibited. 
Label variation. Both catalog numbers and side numbers are listed to the right of the spindle hole. Title and songs are directly below the spindle hole. 
Originally issued with a pink printed inner sleeve and a poster.

Here at Play Dome Nation customer satisfaction is our only commitment. We grade conservatively on all LP’s, Books, DVD’s and CD’s. All records are professionally cleaned before shipping. All LP’s are packed in sturdy LP Mailers with two padded inserts for extra protection. LP’s are removed from Sleeve to prevent seam splits during shipping. We offer a 100% GUARANTEE on all products.

ALL RECORDS & CD’s ARE VISUALLY GRADED USING GOLDMINE STANDARDS

GRADING

Albums are Visually Graded, Record, and then Cover, followed by any specific notes. If you have questions beyond the description given, please feel free to contact me.

Mint (M) All-around perfect, no signs of use.

NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint. Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). - VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking

Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too

Good (G), Good Plus (G+) or Very Good Minus (VG–)The record still plays through without skipping, but it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers.

VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

POOR (P) and Fair (F) Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, if they go at all. More likely, they end up going in the trash. Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them