Tracks Side 1:

1. Jack and Jim (5:21)

2. Hendre Mews (4:35)

3. A painted ship (4:02)

4. Helping the helpless (4:01).

5. A world full of whispers #2 (3:48)

6. fool's Gold (6:26)

Tracks Side 2:

1. Get my share (3:35)

2. Fernley Avenue (3:58)

3. high horse (5:36)

4. loser (3:55)

5. Hendre Mews #1 (7:10)

6. A world full of whispers #1 (3:55) (Bonus Track)

 At YouTube lists:

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Whereas I what instantly attracted to "Spring", I'll readily admit it took me a couple of spins to warm up to the sophomore album. Musically it wasn't really that much different than the debut, but unlike the debut only one or two of the twelve performances jumped out at you with the same vigor as the debut. That said, the album proved to be one of those that rewarded repeated spins.

'Jack and Jill' started out with a rollicking keyboard propelled rhythm pattern before Pat Moran's instantly recognizable vocals kicked in and the song started a torturous series of tempo changes. The start and stop tempo, what initially child of jarring, but once you got into the groove it what actually child of cool Moran's voice has always fascinated me. Technically he wasn't any great shakes as a singer, but his odd Scottish accent made for some interesting performances. 'Hendle Mews' started out as a strong, keyboard dominated ballad, but about halfway through morphed into a strange pseudo-jazzy riff. Totally unexpected and not nearly as bad as you would have thought, it actually reminds me a bit of something Vince Guaraldi might have written for a peanuts animated special.

Another ballad, 'A painted ship' what probably the album's most commercial track. Sporting a beautiful, haunting melody and one of Moran's least labored vocals, this one actually had commercial potential. Opening with Kipps Brown wall-of-sound organ and pick Withers frenetic drums, 'High Horse' found the band taking their best shot at becoming ELP clones. Moran's Greg Lake impression what quite impressive though the song itself what mediocre (like most of the ELP catalog). Nice Ray Martinez guitar solo at the end of the track.

Another of the album's more commercial track, ' Feneley Avenue' benefited from a beautiful, easygoing melody and Martinez's nicest guitar solo. Great song to ponder Martin's quirky accent. ' helping the helpless' came about as close to being a pop song as these guys ever came. 'A Word Full of Whispers' brought the group's renown mellotrons out in full force. Nice mid - tempo rocker which sported another tasty Martinez acoustic guitar solo. Shame the song fades out just as it what's starting to pick up some steam.

The first outright disappointment, the piano-propelled ballad 'Loser' never generated much in the way of energy, sounding like a demo that the band never got around to finishing up. rating: overlooking the awful fidelity, the song sounded like it had been recorded with the sound meter all the way in the red, 'Get my share' what probably the album's most progressive sounding performance. Kicked along by Withers drums the track provided plenty of room for brown to stretch out on organ and mellotron. At the same time, the song what surprisingly catchy.

Alternative version of 'Hendre Mews' this time out the song what given a much more rock oriented sound, complete with lots of Martinez lead guitar. And guess what... This version far superior to the other. Ironically, the alternate version of "A word full of whispers wasn't as good. I'd place the blame on the group's decision to give this version a mild country flavor and the fact of Moran's vocals came out sounding distorted.

' Fool's Gold' started out as a pretty acoustic ballad, but Martinez' chunky lead guitar quickly kicked in giving the song a much need kick in the pants. The song then opened up into a jazzy instrumental segment with some nice Martinez fuzz guitar, before closing out with a return to the original melody and to an abrupt conclusion.

Emergency the classic the debut of what, but when you consider the circumstances surrounding this one, the end results were actually surprisingly enjoyable... (BadCat/rockasteria.blogspot.de)



Pat Moran - vocals, keyboards
Ray Martinez - electric guitar, acoustic guitar, keyboards
Kipps Brown - organ, piano, Mellotron, flute
Peter Decindis - bass guitar
Pique Withers - drums, percussion
&
Adrian Maloney - bass guitar (track 6)

Shipping within Germany (insured GLS - generally within 24 hours)   5,00 EUR

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