Tracks Side 1:

1. What Can A To Be A Streetfighting Man) (5:48)

2. It's Your LIFE (4:30)

3. Whispering (13:31)

Tracks Side 2:

1. BLUE Sunday Morning (7:05)

2 A ) Fly Bird Fly    
2b) Television Program (16:51)

Listen At YouTube:

 OUT OF FOCUS were helped by A good promotion during 1970/71, '' See How A WHITE Negro Flies '' was included in Polydor's compilation '' Sounds '71' and The track '' BLUESundayMorning '' became part of Kuckuck's '' SiebenSiebzig '' compilation. Six months after The release of Wake Up ! '' The Germans visited The Bavaria Studios in Munich To record ASecond Album , which STRANGELY carried The Surname ofThe group as A title. Cuckoo was The publisher again.
While '' Wake Up ! '' Was A Psychedelic leftovers FromThe 60's, this One lake Theband exploring The more experimental side of skirt MUSIC and this is pretty obvious already FromThe short openers '' What CanA poor boy do '' and '' it's your LIFE '', which are dominated by A collection of Sounds and sights, containing inspirations From Folk, blues and jazz, characterized by frenetic rhythms, nervous sax solos, Psychedelic organ runs and calm acoustic textures, not To mention The jazzy piano ofThe second piece. These work as A nice introduction To The very Long '' Whispering '', which Sounds Like A rougher PASSPORT, featuring extended instrumental jams with A pounding rhythm section, usually overpowered by The furious electric guitar of Drechsler and Neumueller's powerful saxes, leading into experimental, jazzy improvisations and A couple of beautiful sax solos over The hypnotic bass lines of Wiesheu.'' BLUE Sunday Morning '' is another attempt On Herb Folk Rock by Theband with A narcotic electric guitar playing alongside The archaic flutes, before Hering's organ gives LIFE ToA dramatic HEAVY / Psych rock cut. Not really fond of The ROLLING STONES'-like vocals. The 17-min. '' Fly bird fly-Television program '' is more or less A good definition of Psychedelic and folk influences. Again The vocals are rather weak, but The MUSIC is pretty interesting with some great organ runs and sax interventions, Drechsler's guitar solos are absolutely efficient and The piece alternates between smooth and punchy segments with A fantastic ending section in The vein of early ELOY, characterized by tremendous Energy and featuring Drechsler, Hering and Neumueller's active battle On individual solos.
Solid Kraut Rock with jazzy influences and nods To Folk MUSIC . Passionate, efficient material, even if it lacks some great moments. Recommended. (Apps79 / progarchives.com)

Remigius Drechsler - Guitar
Hennes Hering - organ, piano
Moran Neumüller - tenor saxophones, flute, vocals
Klaus Spöri - Drums 
Stephan Wisheu - bass

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