LP BUDGIE Deliver Us From Evil (Re-Release) Hifly Sound HIFLY 8001 MINT-/MINT
Sold Date:
November 28, 2021
Start Date:
November 18, 2021
Final Price:
€16.27
(EUR)
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LP BUDGIE
Deliver Us From
Evil
Country of release: Liechtenstein, 2014
Original
released: 1982
Label: Hifly
Sound
Catalogue
number: Hifly 8001
Barcode:
5291103811012
Klappcover/Gatefold
Sleeve: Nein/No
Condition Record:
MINT-
Condition Cover: MINT
Tracks
Side 1:
1. Bored With Russia (3:48)
2. Don't Cry (3:18)
3. Truth Drug (4:21)
4. Young Girl (2:15)
5. Flowers In The Attic
(5:08)
Tracks Side 2:
1. N.O.R.A.D. (Doomsday City) (4:12)
2. Give Me The Truth (4:10)
3. Alison (3:24)
4. Finger On The Button (3:59)
5. Hold On To Love (4:16)
Listen At
YouTube:
If Nightflight wasn’t the ultimate example of Budgie’s
misguided commercial ambitions, than Budgie’s final original album most
certainly is. The synths from the last album are back and even more prominent
and cheesier than you can imagine. Think mid-80’s Rush without the emotional
authenticity: the guitar sound on this supposed “rock” album is just as
pathetic. What few heavy metal riffs are left are scattered thin between lame,
repetitious pop rock that’s no better than any of the more famous garbage of
this period. As mentioned in my Nightflight review, listen to Styx, Journey, Def
Leppard, Foreigner, etc for an approximation of Budgie’s sound on their RCA
albums. If you can dig this sort of stuff, than you have a stronger stomach than
I, sir or madam.
Songwriting throughout is manufactured and
hook-oriented, what little remained of the band’s trademark eccentricity has
been cut loose in favor of era-specific clichés. Between the obligatory weepy
love ballads (“Alison,” which is somehow worse than your typical Budgie ballad)
and upbeat rocking love ballads (“Young Girl,” not much better), there’s a heavy
emphasis on Cold War paranoia in tracks like “Finger on the Button,” “Bored with
Russia,” and “N.O.R.A.D.” Lots of groups were getting in on this sort of thing
(Birth Control, for instance); it was a trendy musical subject. Budgie, however,
had never been a trendy band: their uncommon musicality inspired trends, not
followed them. This is just absurd. “Bored with Russia?” Nope, not me fellas.
“Don’t Cry?” I’m trying my best not to, almost can’t help it listening to how a
mighty band has fallen. “Hold On to Love?” Not for Budgie guitarist John Thomas,
whose flashy half-assedry has apparently ruined the band. Over three albums and
an EP recorded with him, there might be two songs that are even close to the
value of the fucking throwaways off their 70’s albums. Find it hard to believe?
So did I. Gander for yourself, dear reader, and see if you don’t find yourself
thinking the same.
With the exception of perhaps “Flowers in the Attic,”
which performs fairly well for a power ballad (in the same vein as “Time to
Remember” from Power Supply), there’s nary a song worth remembering off this
record. Afterwards, the band would record tracks for a final RCA album, but
would end up shelving it and calling it quits (the lost demos would eventually
be released as The Last Stage in the 2000’s). Metallica’s decision to cover a
pair of the band’s choicer tracks from their early period would result in
renewed interest in Budgie, quite possibly the only reason they maintain a cult
fan base to this day. But all the Budgie love in the world is most certainly
directed towards their 70’s accomplishments; their brief 80’s outings should be
duly forgotten. Promptly deliver this from your attention.
(DawnoftheShred/metal-archives.com)
Burke Shelley - Bass, Vocals
John
Thomas - Guitar
Steve Williams - Drums
&
Duncan Mackay -
Keyboards
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