Tracks Side 1:

1. ZARATHUSTRA (20:35)
A) L'Ultimo Uomo   
b) Il Re Di Ieri
c) Al Di Là Del Bene E Del Male   
d) Superuomo   
e) The Tempio delle Clessidre   

Tracks Side 2:

1. Degli Uomini (4:04)

2. Della Natura (8:28)

3. Dell'Eterno Ritorno (6:18)

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Museo Rosenbach were A short-lived Italian progressive bandFOR their 1973 releaseZARATHUSTRA ,A concept album freely inspired byThe controversial worksof philosopher Friedrich Nietzsche and 'Thus SpokeZARATHUSTRA '. Unfortunately, at The Timeof its release,The album was widely disregarded becauseofThe far right-wing views found withinThe Nietzsche-inspired lyrics. The band suffered FOR their political ideals, which prevented them FromThe childof attention they deserved. Museo's musical palette contained A dash ofVAN DER GRAAF GENERATOR . Comparisons To early KINGCrimson are also inevitable; this is symphonic progressive rock withA rough edge. While The group's particular brand was less experimental than Aof Italian prog, their compositions were equally challenging constructions, filled withTime changes and eccentricities. Something is always happening.

Though The MUSICHEAVY , itSTILL managesTo remain melodic and fluid;The onlyTime it really softens duringThe excellent superuomo. The traditional rock ensemble of electric guitar, bass and drums has plenty ToThe mellotron and Hammond organ capableof takingOn both lead and supporting roles. The continually captivating interplay is A result ofof Focus), varied and beautifully arranged keyboards,A versatile rhythm section (featuring solid bass guitar in tandem with propulsive and perfectly timed drumming), and strong, expressive Italian vocals. It all comes together into A constant tension, topped by majestic outbursts ofThe mellotron. Stefano Lupo Galifi's singing is bold and passionate, elevating The rest ofTheMUSICToA higher level.

The side-long title epic is an absolute killer, starting in moderately lush and melodic form, until it slowly becomes More And More intense. Despite The notable KINGCrimson and ELP influences here, Museo came up with something fairly original and ultimately very strong,The track seeming much shorter than its actual twenty-minute length. The other three cuts, Degli Uomini, The grandiose Della Natura (dramatic in AofTheSame quality, although not as focused asThe record's main theme.

Dead spots are hard To find, as TheFrom loud and powerfulTo soft and melodic playing are quite amazing. if there's anything To complain about at all, then it might be TheA few transitions that aren't entirely cohesive. FOR fans of harder-edged 70's progressive with no lack of spectacular moments, these are however minor issues. ZARATHUSTRA is an epitome of what HEAVYThe particularTime in which it was made. (ProgJect, August 2nd, 2012 / sputnikmusic.com)

Giancarlo Golzi - Drums, Timpani, Bells, Vocals
Alberto Moreno - bass, piano
Enzo Merogno - guitar, vocals
Pit Corradi - Mellotron, Hammond Organ, Vibraphone, Electric Farfisa Piano
Stefano "Lupo" Galifi - vocals

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