LP WERWOLF Creation - Re-Release - LONG HAIR MUSIC LHC161 - STILL SEALED

Sold Date: December 1, 2023
Start Date: January 13, 2022
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LP WERWOLF

Creation

 

Country of release: Germany, 2016

Original released: 1982

Label: Long Hair Music

Catalogue number: LHC161

Barcode: 4035177001617

Klappcover/Gatefold Sleeve: Nein/No

Includes Insert

 

 Condition Record: MINT

Condition Cover: MINT

LP ist noch verschweißt / LP IS STILL SEALED

Photo von meiner eigenen LP / Photo take from my personal copy

 

 

 

Tracks Side 1:

1. Höhenflug (5:17)

2. Die Reise Ins Land Der Flugschweine (8:17)

3. Way To Paradise (6:05)

 

Tracks Side 2:

1. Daydream (4:45)

2. The Game Is Over (5:07)

3. Der Achte Tag (10:31)

 

Listen At YouTube:  


 Werwolf were named actually after the famous band Steppenwolf, which drummer Peter Besting liked a lot at the time (around 1970). Original crew included also Hartwig Kugoth on guitar and Peter Lorenz on bass. The band hailed from Olpe and was rehearsing regularly at Besting's newly built house in Wenden since 1972. Around mid-70's they were joined by Jürgen Glöckler on keyboards, Michael Schlimm on saxophone/flute and Ellen Wiederstein on lead vocals, this formation minus Lorenz recorded a 3-track promotional demo, but no label showed particular interest in Werwolf. Apparently this led to the dissolution of this formation with Besting gathering new members to save the band, Gerd Heuel on guitar, Burkhard Huckestein on bass, Wolfgang Unthan on keyboards and Gitta Löwenstein as lead vocals. Finally, in 1982, the band privately pressed about 1000 copies of their debut ''Creation''.
Werwolf played an elaborate and polished Symphonic Rock with strong CAMEL and RENAISSANCE influences, as many German bands did at the time, when facing the new era of New Wave and Synth Music, but refused to betray their progressive roots. They sound similar to EDEN, REBEKKA, SIRIUS and so many other groups of the late-70's/early-80's, they did use the synthesizers at a normal rate, but they still sinked into the organ sounds and the beautiful, melancholic guitar moves of the Teutonic Prog wave. Lengthy tracks with shifting climates, ethereal female vocals, some beautiful guitar soli, great keyboard themes and a certain symphonic background, propelled by the electroacoustic changes, the synth-based monster layers, the pounding grooves on guitar and organ and the smooth lyricism. I can't say the material trully belongs among the best of the era, but the arrangements are well-crafted with clever use of the organ in both rhythmic and symphonic lines (the latter remind strongly of GENESIS) and the unmistakable and dominant spacious keyboards of German Sympho Kraut Rock. All texts are sung in English and the 10-min. ''Der achte tag'' shines through as an excellent piece of CAMEL-esque Symphonic Retro Prog.

With the original vinyl hitting triple-digit bucks at auctions and being rather rare, several issues have popped out throughout time ( ).
Refined German Symphonic Rock from the 80's with strong Camel overtones. ( ). Warmly recommended. (apps79/progarchives.com)

Peter Besting - Drums, Vocals
Gerd Heuel - Guitar
Burkhard Huckestein - Bass
Wolfgang Unthan - Keyboards
Gitta Löwenstein - Vocals
&
Jürgen Glöckler - Organ (Track 3)
Luis Lopez - Vocals, Rhythm Guitar (Track 1, 3)

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