This Record Is Used! "Cover has wear & a notch upper left.  (see pics) Original record plays VG to VG+..    (see grading scale).                            

  { Original Master Recording }  MFSL   >> PLEASE READ FULL DESCRIPTION <<

Please See all High Resolution Photos for a closer look!

About this Album:

OK, If I were to grade this record by sight , I would say it looks EX, maybe even NM. That's exactly why I play grade the records I sell.

The record has no visible scuffs or scratches, There is no constant backround static or crackle, But there are several clicks or tics audible, they are not several in a row, but scattered throughout the record. none which cause the needle to skip or stick. This is why I grade it VG to VG+. "Some might say it's closer to the VG+ side" The cover has a notch upper left and the usual inserts that come with this record are missing. It does have the static free inner sleeve,

 – Sticky Fingers
Label:Mobile Fidelity Sound Lab – MFSL 1-060, Rolling Stones Records – MFSL 1-060Series:Original Master RecordingFormat:Vinyl, LP, Album, Limited Edition, Reissue, Remastered, StereoCountry:USReleased:Jun 1, 1981Genre:Rock Style:Blues Rock
Tracklist A1Brown Sugar Bass – B. Wyman* Drums – C. Watts* Guitar – M. Taylor* Guitar, Acoustic Guitar – K. Richard* Piano – I. Stewart* Saxophone [Sax] – B. Keyes* Vocals [Vocal], Percussion – M. Jagger* Bass – * Drums – * Guitar – * Guitar, Acoustic Guitar – * Piano – * Saxophone [Sax] – * Vocals [Vocal], Percussion – * 3:50A2Sway Bass – B. Wyman* Drums – C. Watts* Guitar [Guitars] – M. Taylor* Piano – N. Hopkins* Strings – P. Buckmaster* Vocals [Vocal] – K. Richard* Vocals [Vocal], Guitar – M. Jagger* Bass – * Drums – * Guitar [Guitars] – * Piano – * Strings – * Vocals [Vocal] – * Vocals [Vocal], Guitar – * 3:45A3Wild Horses Bass – B. Wyman* Drums – C. Watts* Guitar – M. Taylor* Guitar, Vocals [Vocal] – K. Richard* Piano – J. Dickinson* Vocals – M. Jagger* Bass – * Drums – * Guitar – * Guitar, Vocals [Vocal] – * Piano – * Vocals – * 5:41A4Cant You Hear Me Knocking Bass – B. Wyman* Congas – Rocky Dijon Drums – C. Watts* Guitar – M. Taylor* Guitar, Vocals – K. Richard* Organ – B. Preston* Percussion – J. Miller* Saxophone [Sax] – B. Keyes* Vocals [Vocal] – M. Jagger* Bass – * Congas –  Drums – * Guitar – * Guitar, Vocals – * Organ – * Percussion – * Saxophone [Sax] – * Vocals [Vocal] – * 7:17A5You Gotta Move Drums – C. Watts* Electric Guitar – M. Taylor* Electric Piano – B. Wyman* Guitar, Vocals – K. Richard* Vocals [Vocal] – M. Jagger* Drums – * Electric Guitar – * Electric Piano – * Guitar, Vocals – * Vocals [Vocal] – * 2:32B1Bitch Bass – B. Wyman* Drums – C. Watts* Guitar – M. Taylor* Guitar, Vocals – K. Richard* Percussion – J. Miller* Saxophone [Sax] – B. Keyes* Trumpet – J. Price* Vocals – M. Jagger* Bass – * Drums – * Guitar – * Guitar, Vocals – * Percussion – * Saxophone [Sax] – * Trumpet – * Vocals – * 3:12B2I Got The Blues Bass – B. Wyman* Drums – C. Watts* Guitar – M. Taylor* Guitar, Vocals – K. Richard* Organ – B. Preston* Saxophone [Sax] – B. Keyes* Trumpet – J. Price* Vocals – M. Jagger* Bass – * Drums – * Guitar – * Guitar, Vocals – * Organ – * Saxophone [Sax] – * Trumpet – * Vocals – * 4:00B3Sister Morphine Bass – B. Wyman* Drums – C. Watts* Guitar – K. Richard*, Ry Cooder Piano – J. Nitzche* Vocals [Vocal] – M. Jagger* Bass – * Drums – * Guitar – *,  Piano – * Vocals [Vocal] – * 5:34B4Dead Flowers Bass – B. Wyman* Drums – C. Watts* Guitar – M. Taylor* Guitar, Vocals – K. Richard*, M. Jagger* Piano – I. Stewart* Bass – * Drums – * Guitar – * Guitar, Vocals – *, * Piano – * 4:05B5Moonlight Mile Bass – B. Wyman* Drums – C. Watts* Guitar – M. Taylor* Guitar, Vocals [Vocal] – M. Jagger* Piano – J. Price* Strings – Paul Buckmaster Bass – * Drums – * Guitar – * Guitar, Vocals [Vocal] – * Piano – * Strings –  5:56 Companies, etc. Mastered At – Original Masteringworks Lacquer Cut At – JVC Cutting Center Pressed By – Victor Company Of Japan, Ltd. Manufactured By – Mobile Fidelity Sound Lab, Inc. Distributed By – Mobile Fidelity Sound Lab, Inc. Licensed From – Atlantic Recording Corporation Licensed From – EMI Records Ltd. Record Company – Warner Communications Recorded At – Rolling Stones Mobile Recorded At – Muscle Shoals Sound Studios Recorded At – Olympic Studios Published By – Gideon Music, Inc. Credits Design Concept [Cover Design], Photography By – Andy Warhol Design [Album], Graphics – Craigbrauninc.* Engineer [Engineers] – Andy Johns, Chris Kimsey, Glyn Johns, Jimmy Johnson (4) Lacquer Cut By – SR* Producer [Produced, With Affection, By] – Jimmy Miller Sleeve [Jackets/Sleeves] – Sound Packaging Corp. Written-By – Fred McDowell (tracks: A5), Mick Jagger/Keith Richard* (tracks: A1 to A4, B1 to B5) Notes On back cover:
Half-Speed Production and Mastering by Original Mastering Works™
Specially Plated and Pressed on High Definition Super Vinyl
by Victor Company of Japan Ltd.
Special Static Free-Dust Free Inner Sleeve.
Source: The Original Stereo Master Tape.
Mastered with the Ortofon Cutting System

Printed in USA
Pressed in Japan

About me:

I am a music lover, I have been collecting and playing records since I was a child. I have also purchased many records on ebay,  so I know first hand how important grading is to a buyer.    I use the goldmine grading system.                             (see below for full details)

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Goldmine Grading System:

Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed. (More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all. Near Mint (NM or M-)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.
Very Good Plus (VG+)   Generally worth 50 percent of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.
Very Good (VG)   Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.
Good (G), Good Plus (G+)   Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.
Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.