Tracks Side 1:

1. What Can A Poor Boy Do (But To Be A Streetfighting Man) (5:48)

2. It's Your Life (4:30)

3. Whispering (13:31)

Tracks Side 2:

1. Blue Sunday Morning (7:05)

2a) Fly Bird Fly    
2b) Television Program (16:51)

Listen At YouTube:

 Out Of Focus were helped by a good promotion during 1970/71, ''See How A White Negro Flies'' was included in Polydor's compilation ''Sounds '71'' and the track ''Blue Sunday Morning'' became part of Kuckuck's ''SiebenSiebzig'' compilation. Six months after the release of ''Wake up!'' the Germans visited the Bavaria Studios in München to record a second album, which strangely carried the name of the group as a title. Kuckuck was again the publisher.
While ''Wake up!'' was a typical Kraut Rock album with psychedelic leftovers from the 60's, this one sees the band exploring the more experimental side of Rock music and this is pretty obvious already from the short openers ''What can a poor boy do'' and ''It's your life'', which are dominated by a collection of sounds and sights, containing inspirations from Folk, Blues and Jazz, characterized by frenetic rhythms, nervous sax solos, psychedelic organ runs and calm acoustic textures, not to mention the jazzy piano of the second piece. These work as a nice introduction to the very long ''Whispering'', which sounds like a rougher PASSPORT, featuring extended instrumental jams with a pounding rhythm section, usually overpowered by the furious electric guitar of Drechsler and Neumueller's powerful saxes, leading into experimental, jazzy improvisations and a couple of beautiful sax solos over the hypnotic bass lines of Wiesheu.''Blue Sunday Morning'' is another attempt on Kraut Folk Rock by the band with a narcotic electric guitar playing alongside the archaic flutes, before Hering's organ gives life to a dramatic Heavy/Psych Rock cut. Not really fond of THE ROLLING STONES'-like vocals. The 17-min. ''Fly bird fly-Television program'' is more or less a good definition of Kraut Rock with strong psychedelic and Folk influences. Again the vocals are rather weak, but the music is pretty interesting with some great organ runs and sax interventions, Drechsler's guitar solos are absolutely efficient and the piece alternates between smooth and punchy segments with a fantastic ending section in the vein of early ELOY, characterized by tremendous energy and featuring Drechsler, Hering and Neumueller's active battle on individual solos.
Solid Kraut Rock with jazzy influences and nods to Folk Music. Passionate, efficient material, even if it lacks some great moments. Recommended. (apps79/progarchives.com)

Remigius Drechsler - Guitar
Hennes Hering - Organ, Piano
Moran Neumüller - Tenor Saxophone, Flute, Vocals
Klaus Spöri - Drums 
Stephan Wisheu - Bass

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