Gripsweat is shutting down. Starting on February 1st, 2025 the site will no longer be doing daily updates, adding any new items, or accepting new memberships. The site will continue to run in this "historical" mode until January 1st, 2026, when the site will go offline. More information is available here.
Sold Date:
November 18, 2024
Start Date:
May 18, 2024
Final Price:
$31.63
(USD)
Seller Feedback:
3312166
Buyer Feedback:
0
This item is not for sale. Gripsweat is an archive of past sales and auctions, none of the items are available for purchase.
La Monte Young - Dream House 78'17" [New Vinyl LP]
Artist: La Monte Young
Title: Dream House 78'17"
Format: Vinyl LP
Genre: Rock
UPC: 857661008384
Release Date: 2024
Record Label: Superior Viaduct
Album Tracks
1. 1. 13 I 73 5:35-6:14:03 PM NYC
2. 2. Drift Study 14 VII 73 9:27:27-10:06:41 PM NYC
Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux. Side one was recorded at a private concert (on the date and time indicated by the title) and features Young and Zazeela's voices against a sine wave drone with Jon Hassell on trumpet and Garrett List on trombone. This work is a section of the longer composition Map of 49's Dream the Two Systems of Eleven Sets of Galactic Intervals Ornamental Lightyears Tracery (begun in 1966 as a sub-section of The Tortoise, His Dreams and Journeys, which was begun in 1964 with Young's group The Theatre of Eternal Music). The piece evolves with the oscillator changing pitch and dictating an ornate pattern over the course of the performance. Side two is an example of one of the sets of frequencies sustained in the Dream House, the composite sound environments conceived by Young and Zazeela. The composer suggests listening while seated-to experience how the sound interacts with the room and other perceptions of it's arrangement-as well as while walking. As Young states, "The frequency ratios are monitored continuously as lissajous patterns on the oscilloscopes and, in spite of the great stability of the oscillators, the phase relationships of the sine waves gradually drift which causes their amplitudes to add and subtract algebraically. Not only does the sound become a bit louder and softer, but at very loud levels, one actually begins to have a sensation that parts of the body are somehow locked in sync with the sine waves and slowly drifting with them in space and time."
Copyright DirectToU LLC. All Rights Reserved.