Artist:  THE BEATLES 

Title: “Abbey Road”

Label:   APPLE ~ # SO-383.  Stereo pressing on medium weight vinyl.  Label is green & white with black text.

Year:  1969.

Condition: 

DISC:  Vinyl is NM- with full original gloss.  Has been played a small number of times and handled with care.  There are a couple slight hairline paper scuffs but no serious or audible marks or problems.  Plays beautifully with superb fidelity.  Labels are clean.   

JACKET:  Jacket is NEAR MINT in original factory shrink wrap.  Flawless front and back panels.  Excellent seams and spine.  Right corner tips have been lightly bumped.  A beautiful jacket worthy of display.

Track Listing: 

Come Together Something Maxwell’s Silver Hammer Oh! Darling Octopus’s Garden I Want You (She’s So Heavy) Here Comes the Sun Because You Never Give Me Your Money Sun King Mean Mr. Mustard Polythene Pam She Came in Through the Bathroom Window Golden Slumbers Carry That Weight The End

Review: 

“Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It's hard not to interpret "And in the end/the love you take/is equal to the love you make" as a summation not only of Abbey Road but perhaps of the group's entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is. In many ways, Abbey Road stands apart from the rest of the Beatles' catalog, an album that gains considerable strength from its lush, enveloping production -- a recording so luxuriant, it glosses over aesthetic differences between the group's main three songwriters and ties together a series of disconnected unfinished songs into a complete suite. Where Sgt. Pepper pioneered such mind-bending aural techniques, Abbey Road truly seized the possibilities of the studio and, in doing so, pointed the way forward to the album rock era of the 1970s. Many of the studio tricks arrive during that brilliant suite of songs, a sequence that lasts nearly a full side of an album. Here, McCartney's playful eccentricity juts against John Lennon's curdled cynicism, while the band thrills in sudden changes of mood and plays plenty of guitar, culminating in McCartney, Lennon, and George Harrison trading solos on "The End." The depth of sonic detail within "You Never Give Me Your Money" and "She Came in Through the Window" provided ideas for entire subgenres of pop in the '70s, but Abbey Road also contains a handful of the most enduring Beatles songs, each adding a new emotional maturity to their catalog. The subdued boogie of Lennon's "Come Together" contains a sensuality previously unheard in the Beatles -- it's matched by "Because," which may be the best showcase for the group's harmonies -- Harrison's "Something" is a love ballad of unusual sensitivity, and his "Here Comes the Sun" is incandescent, perhaps his purest expression of joy. As good as these individual moments are, what makes Abbey Road transcendent is how the album is so much greater than the sum of its parts. While a single song or segment can be dazzling, having a succession of marvelous, occasionally intertwined moments is not only a marvel but indeed a summation of everything that made the Beatles great.”

(courtesy Stephen Thomas Erlewine, allmusic.com)

 

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