Organized Konfusion–Stress The Extinction Agenda Hollywood BASIC ‎US 1994 LP

Sold Date: May 22, 2016
Start Date: May 12, 2016
Final Price: £36.00 (GBP)
Bid Count: 19
Seller Feedback: 759
Buyer Feedback: 2











 ‎– Stress: The Extinction Agenda Label:  ‎– HB 61406-1 Format: Vinyl, LP, Album 
Country: US Released: 1994 Genre: Hip Hop Style: Conscious Tracklist A1Intro Producer –  1:58A2Stress Producer –  4:00A3The Extinction Agenda Producer – Scratches –  3:56A4Thirteen Producer –  3:52A5Black Sunday Producer –  3:15A6Drop Bombs Producer –  1:30A7Bring It On Producer –  3:14B1Why Co-producer – Producer –  4:07B2Let's Organize Producer – Rap [Guest Vocalist] – *,  4:18B33-2-1 Producer –  3:22B4Keep It Koming Producer –  3:56B5Stray Bullet Producer –  3:42B6Maintain Producer –  4:18 Companies, etc. Distributed By –  Phonographic Copyright (p) –  Copyright (c) –  Pressed By –  Printed By –  Recorded At –  Recorded At –  Recorded At –  Mixed At –  Mixed At –  Mixed At –  Mastered At –  Credits A&R [Direction] –  Art Direction –  Artwork [Cover Art] –  Concept By –  (tracks: A1 to B3, B5),  (tracks: B1), (tracks: B5) Design –  Engineer – * (tracks: B3), * (tracks: A5, A7, B1, B4, B5), * (tracks: A1 to A4, A6, B2, B6) Executive-Producer – ,  Mastered By –  Mixed By –  (tracks: A4, A6),  (tracks: A1 to A3, A5, A7 to B6) Performer [Band Member] – ,  Photography By –  Written-By – * (tracks: B4),  (tracks: A2),  (tracks: A3), (tracks: B2), ,  Notes © & ℗ 1994 Hollywood BASIC. 
Distributed by Elektra Entertainment, a division of Warner Communications Inc., a Time Warner Company 
Printed in the U.S.A. by WEA Manufacturing 
A2, A5, A7, B1, B4, B5 recorded at Unique Studios (New York, NY) 
A3, A4, A6, B2, B6 recorded at Battery (New York, NY) 
B3 recorded at Power Play Studios (Long Island City, NY) 
A1, A2, A5, A7, B1, B5 mixed at Unique Studios (New York, NY) 
A3, A4, A6, B2, B4, B6 mixed at Battery (New York, NY) 
B3 mixed at Power Play Studios (Long Island City, NY) 
Mastered at The Hit Factory Mastering Inc. (New York, NY) 
Cover art for Dooable Arts 

A2 contains a sample from "Mingus Fingus No. 2" as recorded by Charles Mingus 
A3 contains a sample from "Rain Dance" as recorded by Herbie Hancock 
A5 contains a sample from "Freedom Death Dance" as recorded by Eugene McDaniels 
B2 contains a sample from "Kickin' Back" as recorded by Patrice Rushen 
B3 contains a sample from "Melody For Thelma" as recorded by Blue Mitchell 
B4 contains a sample from "Sack Of Woe" as recorded by Cannonball Adderley 
B5 contains a sample from "Wind Parade" as recorded by Donald Byrd and "Who Sey Me Dun" as recorded by Cutty Ranks 

Pressing plant identified by the runout groove stamps Barcode and Other Identifiers Barcode: 7 2061-61406-1 6 Matrix / Runout (Runout Groove Side A): ST-ED-61406-A1 1-1 HFM cg SRC Matrix / Runout (Runout Groove Side B): ST-ED-61406-B2 1 1-1 SRC





MEDIA CONDITION: VERY GOOD+  VG+
COVER SLEEVE CONDITION: EXCELLENT EX
ITEM CONDITION: VERY GOOD+  VG+


THE MEDIA HAS BEEN PLAYED WELL AND HAS SIGNS AND MARKS OF PLAY WITH BASIC SURFACE MARKS WITH BASIC STATIC SOUND SLIGHT NOISE REDUCTION ON SOME TRACKS  THE COVER STILL HAS SHRINK WRAP ON IT WITH BASIC SHELF STORAGE WEAR DUE TO STORAGE AND AGE   THIS IS AN AMAZING HIPHOP LP   SEE PICTURES FOR FURTHER DETAILS



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Record Collector Magazine's Grading Guide:

 

" The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

 The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

 The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

 The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

 The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

 The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

 The record is unplayable or might even be broken, and is only of use as a collection filler."