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WE CURRENTLY HAVE  NEARLY 400  LISTED ITEMS

 

► ► ► ► ►  ► ► ► ► ► ►► ► ►  ► ► ►  ►

 

 

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·       JAMES CARR – YOU GOT MY MIND MESSED UP - ULTRA-RARE ORIGINAL 1966 GOLDWAX PRESSING -  ORIGINAL 1966 GOLDWAX MONO LP  3001

 

·       ORIGINAL U.S. PRESSING

 

 

·       *** INSANELY RARE WHITE LABEL PROMO ***

 

 

·       *** IN ADDITION, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

 

·       ORIGINAL “GOLDWAX” LABEL WITH BLACK PRINT AND "RECORD" LOGO, WHITE PROMOTIONAL VERSION

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       The record has ► initials (SF) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

 

·       THE RECORD HAS A DATE STAMP OF 1-17-1966 HAND-ETCHED IN THE TRAIL-OFF VINYL (DEAD WAX)

 

·       THICK, HEAVY VINYL PRESSING

 

·       CLEAN, WEAR-FREE LABELS

 

·       THE RECORD HAS 'AUDIOMATRIX' AND  'BELL SOUND'  STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH ARE GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

 

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

 

 

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If ever there was a soul singer who rivaled Otis Redding's raw, deep emotional sensuality, it was James Carr, and the proof is in the pudding with You Got My Mind Messed Up. Carr was one of the last country-soul singers to approach any chart given to him as if it was a gift from God. Carr was Redding's rival in every respect if for no other reason than the release of this, his debut album recorded in 1966. The 12 songs here, many of them covered by other artists, are all soul classics merely by their having been sung and recorded by Carr. Among them is the Drew Baker/Dani McCormick smash "Pouring Water on a Drowning Man," George Jackson's "Coming Back to Me Baby," a handful of tracks by O.B. McLinton, including "Forgetting You" and the title track, and the Chips Moman/Dan Penn hit "Dark End of the Street." And while it's true that few have ever done bad versions of the song because of the phenomenal writing, there is only one definitive version, and that one belongs to Carr. In his version he sings from the territory of a heart that is already broken but enslaved both to his regret and his desire. This is a love so pure it can only have been illicit. When he gets to the beginning of the second verse, and intones "I know time is gonna take its toll," he's already at the end of his rope; he knows that desire that burns like this can only bring about ruin and disaster, and it is precisely since it cannot be avoided that his repentance is perhaps accepted by the powers that would try him and judge him. He holds the arrangement at bay, and unlike some versions, Carr keeps his composure, making it a true song of regret, remorse, and a love so forbidden yet so faithful that it is worth risking not only disgrace and destruction for, but also hell itself. As the guitar cascades down the fretboard staccato, he can see the dark end of the street and holds it as close to his heart as a sacred and secret memory. By the album's end with the title track, listeners hear the totality of the force of Memphis soul. With Steve Cropper's guitar filling the space in the background, Carr offers a chilling portrait of what would happen to him in the future. Again pleading with the beloved in a tone reminiscent of a church-singer hell, he's in the church of love. He pleads, admonishes, begs, and finally confirms that the end of this love is his insanity, which was a chilling prophecy given what happened to Carr some years later. This is one of theMemphis soul records of the mid-'60s, full of rough-hewn grace, passion, tenderness, and danger. A masterpiece.

 

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

 

Let me be blunt: Anyone who claims to be a Soul/R&B buff but still does not own a copy of this majestic, extraordinary album deserves a good public flogging, Singapore style. 'Nuff said. There should be a law against not owning a copy of this album.   There are no excuses for not having a copy of this masterpiece in your collection. Not loving this great piece of work is totally, utterly impossible. This is a towering giant among R&B/Soul albums. If your heart is beating, you gotta have – and love – this magnificent voice. We have spoken!

 

And, finally, if this is of any relevance (and we do not claim that it is)  'You got my mind messed up' is an important  entry in ►. Other entries on our top-15 list (in no particular order) include Otis Redding, Love, Sam Cooke, Dexter Gordon, Can, Tim Buckley, Byrds, Bob Marley & Wailers,  Stooges, Five Royales, Eric Dolphy,  Everly Brothers, Richard and Linda Thompson and  Muddy Waters)

 

THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

 

For additional historical or discography information on this album, including track listing ►

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► 

 

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·       CONDITION:

 

·       RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

 

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

 

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(c)             White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 50:1.

 

(d)          True stereo copies of this album are NOT believed to exist (except – possibly – as imports)

 

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

·       COVER

 

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

 

The following flaws or imperfections are noted on the cover:

 

-        A visible water stain  (VISIBLE ON BACK SIDE ONLY)  affects the area about   5 square inches in size in one bottom corner; there is no structural damage to the cover, and both cardboard base and paper slick are intact, however, the stain is visible and has caused a slight warp in the affected area.

 

-         Cover has a partially split bottom seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

 

-         Cover has some visible fraying/tattering on the top and bottom seams

 

-         Cover has three corners slightly worn / dinged / bent.

 

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

 

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

 

-         Back cover has a few yellowish dust speckles scattered here and there (these tiny spots are not overly obtrusive or distracting)

 

-         Cover shows some light yellowing on back side, apparently from aging  (nothing significant).

 

-         Cover has a few tiny wrinkles along the spine

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps   (except for the promo stamp)

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

 

 

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POSTAGE & SHIPPING:

 

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

 

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►. While you can be rest assured that ►, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

 

 

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OUR REFUND POLICY :

 

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►  for the full text of our policy

 

 

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