Sold Date: January 22, 2019
Start Date: January 14, 2019
Final Price: £16.99 £15.99 (GBP)
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SOUL OF A NATION: JAZZ IS THE TEACHER FUNK IS THE PREACHER TRIPLE VINYL LP (NEW/SEALED)

Soul of a Nation: Jazz is the Teacher, Funk is the Preacher - Afro-Centric Jazz, Street Funk and the Roots of Rap in The Black Power Era 1969-75

Track Listings

  1. Theme De Yoyo - Art Ensemble of Chicago

  2. Welcome to the Party - The Har-You Percussion Group

  3. Damballa - The Pharoahs

  4. Hard Times - Baby Huey

  5. Sweet Power, Your Embrace - James Mason

  6. Kitty Bey - Byron Marris and Unity

  7. Nappy Dugout - Funkadelic

  8. Exchange, Pt. 2 - Rashied Ali & Frank Lowe

  9. Celestial Blues - Gary Bartz NTU Troop

  10. Space Jungle Funk - Oneness of Juju

  11. Work It Out - Sarah Webster Fabio

  12. Beneficient - Tribe

  13. Whitey On the Moon - Gil Scott-Heron

  14. Brown Rice - Don Cherry

Product Description

Soul Jazz Records' new release 'Soul of A Nation: Jazz is the Teacher, Funk is the Preacher' is a powerful new collection of radical jazz, street funk and proto-rap made in the era of Black Power (1969-75). This is the second 'Soul of A Nation' album released by Soul Jazz Records to coincide with the exhibition 'Soul of a Nation - Art in the Age of Black Power', critically acclaimed and enormously successful when it opened at the Tate Modern in London last year (as was Soul Jazz Records' accompanying first album 'Soul of A Nation - Afro-Centric Visions in the Age of Black Power 1968-79'). The blockbuster international exhibition is now at the Brooklyn Museum, New York and then travels to Los Angeles in 2019. This new album features a number of important and ground-breaking African-American artists - The Art Ensemble of Chicago, Don Cherry, Funkadelic, Gil Scott-Heron and more - alongside a host of lesser-known artists all of whom in the early 1970s were exploring new Afrocentric poly-rhythmical styles of music - radical jazz, street funk and proto-rap - while at the same time exploring the Black Power and civil-rights inspired notions of self-definition, self-respect and self-empowerment in their own lives. During this era African-American jazz musicians ripped up traditional definitions - rejecting the term 'entertainer' to redefine themselves instead as 'artists'. They worked outside of the mainstream music industry perceiving this artistic relationship to be fundamentally exploitative and politically flawed. Artists instead formed their own pan-arts community-centric collectives, set up their own record labels, ran concerts in alternative performance spaces - art galleries, parks, lofts, community centres - all as a way of taking control of their own creative destinies.

TRIPLE VINYL WITH DOWNLOAD CODE