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June 17, 2021
Start Date:
December 17, 2020
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JÜRGEN PLOOG - TAPES VON UNTERWEGS 1971-1976
NEU! / MINT
LP
These tapes were recorded & edited by Jürgen Ploog on different flights between 1971 & 1976 on a portable tape-recorder.
The final selection, montage & editing was done in 2014 by Robert Schalinski.
Like his literary fellow traveler William S. Burroughs who made tape
experiments a few years earlier, the German Beat writer Jürgen Ploog
(born 1935) began experimenting with tape recorders in the 1970s. Due to
his career as a transcontinental pilot Ploog was constantly on the go.
“My life was a series of interruptions both geographically (outwardly)
and psychologically (state of mind) with exposure to different countries
and the constant effects of jet lag.” This 40-minute cut-up is the
result of his experiments. Passages of Ploog’s spoken text get mixed
with Indian television voices, while sounds of Buddhist rituals are
heard through an open hotel window. Radiograms, birds, recordings of
airport and street noises, people noise and that of machinery …
assembled, superimposed … scraps pulled out/torn, shifted and copied …
questioned and documented … an alchemical experiment, a journey of
sounds …
“Cut-up as a drug that leads to a different relationship
with language, just as a hallucinogen leads to an altered relation with
the so-called reality. The result is a fundamental shift of meaning.
‘Shift linguals’ was the motto in a continuous process with an open end
…” J.P.
"This tape is a recording of many voices simultaneously under the spell
of the urban Moloch. They moan, marvel, murmur and curse in a mixture of
sounds that would became independent and found its own cadence. A sound
that could turn drunk, melt on the tongue, mingle with the juices of
the body and eventually turn into sweat and piss. The traveler lived
with it as with microbes sucked up and gulped with every swallow.”
“When I look back now at those years, I see that they were a
ground-breaking departure for me, not towards other, newly rising
ideologies but into an unspecified way of writing and
perception —because reality is based on perspective and seeing, thus
opening the possibilities of an enhanced imagination and a vision of
life under conditions which are not determined and pre-recorded. It may
be said that these were the accounts of only the first steps. That in my
case this was related to traveling to far-off continents and may just
have been a lucky coincidence. At the same time it is obvious that it
was difficult for me to record the exoticism of travel as merely a
fortunate occurrence that gave me the chance to slide into remote
scenery. The whiskey on the rocks at the beach of a tropical island is
after all only the Technicolor-version of the beer in the pub back home.
The challenge was to navigate under limitless technical possibilities
and across the open space of digital deserts that spread rapidly …”
J.P.2014
http://90-prozent-wasser.org/
https://jrgenploog.bandcamp.com/album/tapes-von-unterwegs