Sold Date: November 15, 2015
Start Date: November 8, 2015
Final Price: $20.50 (USD)
Bid Count: 9
Seller Feedback: 1993
Buyer Feedback: 34

Here is a LOW NUMBERED! VERY GOOD PLUS! DOUBLE LP by THE BEATLES titled the WHITE ALBUM. It is an US pressing on the CAPITOL/APPLE label, catalog #SWBO-101 in STEREO sound and released in 1968. The vinyl is in VERY GOOD! condition, with some non-sounding marks, nothing deep, no skips and should have decent playback. There are no photos or poster. The GATEFOLD cover has the LOW NUMBERED! 0016812 in VERY GOOD PLUS! condition with a five and a half inch top edge seam split to front, small quarter inch bottom edge seam split on rear, mild surface/ring wear, edge and corner wear. It is an opportunity for you to purchase this LOW NUMBERED! DOUBLE LP by THE BEATLES in this condition. It’s a true gem for the ALBUM / HARD / BRITISH PSYCHEDELIA / GARAGE ROCK / ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!

Music Review from AllMusic.com by Stephen Thomas Erlewine

Each song on the sprawling double album  is an entity to itself, as the band touches on anything and everything it can. This makes for a frustratingly scattershot record or a singularly gripping musical experience, depending on your view, but what makes the so-called  interesting is its mess. Never before had a rock record been so self-reflective, or so ironic;  send-up "Back in the U.S.S.R." and the British blooze parody "Yer Blues" are delivered straight-faced, so it's never clear if these are affectionate tributes or wicked satires.  turns in two of his best ballads with "Dear Prudence" and "Julia"; scours the Abbey Road vaults for the musique concrète collage "Revolution 9"; pours on the schmaltz for 's closing number, "Good Night"; celebrates the  cult with "Glass Onion"; and, with "Cry Baby Cry," rivals .  doesn't reach quite as far, yet his songs are stunning -- the music hall romp "Honey Pie," the mock country of "Rocky Raccoon," the ska-inflected "Ob-La-Di, Ob-La-Da," and the proto-metal roar of "Helter Skelter." Clearly, ' two main songwriting forces were no longer on the same page, but neither were  and .  still had just two songs per LP, but it's clear from "While My Guitar Gently Weeps," the canned soul of "Savoy Truffle," the haunting "Long, Long, Long," and even the silly "Piggies" that he had developed into a songwriter who deserved wider exposure. And  turns in a delight with his first original, the lumbering country-carnival stomp "Don't Pass Me By." None of it sounds like it was meant to share album space together, but somehow  creates its own style and sound through its mess.