Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First pressings are made from first generation lacquers and stampers. They usually sound vastly superior to later issues and re-issues (which are often pressed from whatever tapes or digital sources  are currently available). First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider and subtle instrument nuances are better placed with more  spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive, with inner details more clearer.  On first and early pressings, the music tends to sound more ‘alive’ and vibrant.
Vinyl:  VG++ Play Graded. Sounds Great!  Atlantic Labels are Clean.  This is the Original 1979 Atlantic Records 1st Pressing!  One of Rolling Stone Magazine's 500 Greatest Albums of All Time!  Allmusic gives it 5 stars!!!  The Last Yowls of the Late Great Bon Scott!!!  Instant Rock 'N Roll Dance Party!!! SPC and MO in Dead Wax , denoting the Superior Pressings of Specialty Record Corp and Monarch Pressing Plant.
Cover: VG+ (see photos) 
Goldmine Standards.    I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
See Review Below!

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AllMusic Review by Stephen Thomas Erlewine 

Of course,  is the final album  recorded with , the lead singer who provided the group with a fair share of its signature sleaze. Just months after its release,  literally partied himself to death (the official cause cited as acute alcohol poisoning) after a night of drinking, a rock & roll fatality that took no imagination to predict. In light of his passing, it's hard not to see  as a last testament of sorts, being that it was his last work and all, and if  was going to go out in a blaze of glory, this certainly was the way to do it. This is a veritable rogue's gallery of deviance, from cheerfully clumsy sex talk and drinking anthems to general outlandish behavior. It's tempting to say that  might have been prescient about his end -- or to see the title track as ominous in the wake of his death -- trying to spill it all out on paper, but it's more accurate to say that the ride had just gotten very fast and very wild for , and he was simply flying high. After all, it wasn't just  who reached a new peak on ; so did the Young brothers, crafting their monster riffs into full-fledged, undeniable songs. This is their best set of songs yet, from the incessant, intoxicating boogie of "Girls Got Rhythm" to "If You Want Blood (You've Got It)." Some of the credit should also go to , who gives the album a precision and magnitude that the  LPs lacked in their grimy charm. Filtered through 's mixing board,  has never sounded so enormous, and they've never had such great songs, and they had never delivered an album as singularly bone-crunching or classic as this until now.