Vinyl:  EX+ Play Graded. Sounds Great!  RCA Labels are Clean. This is the Original 1975 RCA Release! APL1-0998; the definitive version, mastered at The Master Cutting Room, NYC.   David Bowie playing shapeshifter chameleon again!~ this time in the form of Philly Soul Man!  And bringing John Lennon on board, of all People!  Luther Vandross, too!  Some killer grooves, heavily sampled by others.  Warm grooves, for your Dance Party!   See Review Below!
In the dead wax:  "MCR", for the Master Cutting Room, New York City, and "A1"

Cover: EX+ (see photos)  Original Textured Cover.  Includes Lyrics/Credits Inner Sleeve.
Goldmine Standards.    I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
U.S. Shipping:  $4 Media Mail.  50 cents additional shipping per additional album, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your records by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

AllMusic Review by Stephen Thomas Erlewine

 had dropped hints during the  tour that he was moving toward R&B, but the full-blown blue-eyed soul of  came as a shock. Surrounding himself with first-rate sessionmen,  comes up with a set of songs that approximate the sound of Philly soul and disco, yet remain detached from their inspirations; even at his most passionate,  sounds like a commentator, as if the entire album was a genre exercise. Nevertheless, the distance doesn't hurt the album -- it gives the record its own distinctive flavor, and its plastic, robotic soul helped inform generations of synthetic British soul.  "Young Americans" is a masterpiece, and "Fame" has a beat funky enough that  ripped it off, and a handful of other cuts ("Win," "Fascination," "Somebody Up There Likes Me") come close to matching their quality. As a result,  is a stylistic adventure and a brand-new Bowie.