Vinyl:  Mint!  Sealed!  This is the Original 1972 Little David 1ST PRESSING!   LD-7214.  The emergence of George Carlin as a counterculture Comic Hero!  One of his early Classics, this one won Carlin a Grammy in 1973 and still has a timeless clarity.  I love the one-liners printed tiny around the photo on the back cover.  Example:  "no two ways about it, there are two sides to every story"...  all music gives it 5 stars!!!

See Review Below!
Cover: Mint!  Sealed!!  (see photos)  Sticker remnant.  A few tiny tears to the shrink and some light creases.   Also, the record appears straight; when I look down with one eye down all 4 edges there's no big, ominous bow to it that would suggest that it's warped.
I will gladly accept the return of Sealed records as long as they have not been opened (i.e. as long as they are still in the condition I sent them in).  Every record has a "fingerprint" of imperfections in the seal and/or the cover and I separately photograph and keep these details to prevent fraudulently returned items...yep, there are a few rotten apples out there!)  I will not accept a previously sealed record that has been opened, even if the complaint is that the record is warped.  This is why I look down the edge of all 4 sides of the record, to assess for potential bowing.  Look for that in the description of the covers of all my Sealed items. Thanks!  By the way, I've never (knock on wood!) had a buyer complain that they received a warped Sealed record.  :)
Goldmine Standards.   
U.S. Shipping:  $4.99 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

AllMusic Review by Al Campbell

While  was reissued on compact disc as part of the  box set The Little David Years 1971-1977, it's important to have this early groundbreaking release available again, individually, at an affordable price.  found  officially poking fun at, while incorporating, his early material performed in the lounges of America and on The Ed Sullivan Show. It also marked 's metamorphosis from straight-laced to hippie, intentionally embracing the growing counterculture. The record is divided into two separate manifestations of humor, making it a sort of comedy concept album. One section focused on references geared toward the more wholesome commercial oriented AM radio audience: "Son of Wino," "Ed Sullivan Self Taught," and "Let's Make a Deal," while the remaining material was intended for the "hipper" FM audience: "Drugs," "Birth Control," and "Sex in Commercials." 's unabashed wit, irony, and cynicism appealed to both audiences as won a Grammy award in 1973 for best comedy album.