Vinyl: VG+ Play Graded. Sounds Great!  Nice Glossy Vinyl.  Superb Fidelity!  Apple Photo Labels are Clean and Bright.   This is the Original 1971 Apple 1st Pressing!   SMAS 3375.  Proto Indie Sounds from Beatle Paul, less than a year after the breakup of The Beatles,  With tasteful touches from Linda, this album is Paul's most "Beatle-like" album to this listener. ...allmusic gives it 5 stars!!!
See Review Below!  
In the Dead Wax:  both sides have etched matrices and the * glyph for Capitol's Los Angeles, CA pressing plant.  Complete Dead Wax details cheerfully given upon request. 
Cover: VG+ (see photos)  Gatefold.   Nice high gloss on cover. Front and back of cover artwork and text are rich, clear and bright, with a tiny amount ring wear on the back cover. Seams and spine are solid and clean, with a tiny amount of corner wear.  No splits.  No writing.  Spine print is crystal clear. 
See my other listings for other Beatles & Related items.  I also have a treasure trove of Beatles LPs, 45s and memorabilia yet to be listed.  Let me know what you're looking for.  You can also click on "Save This Seller" and you'll be among the first to be notified when I  post new listings.

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).

U.S. Shipping:  $4 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
INTERNATIONAL BUYERS!  I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!!  IF YOU TELL ME WHICH ITEMS YOU WANT TO BUY, I CAN WEIGH THEM AND THE PACKAGING TOGETHER AND THEN GO IN AND ADJUST THE LISTINGS ACCORDINGLY TO REFLECT THE EXACT WEIGHT OF THE COMBINED SHIPMENT!  THIS WILL SAVE YOU A LOT OF MONEY!!!  IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.     AllMusic Review by Stephen Thomas Erlewine 

After the breakup,  fans expected major statements from the three chief songwriters in the Fab Four.  and  fulfilled those expectations --  with his lacerating, confessional ,  with his triple-LP  -- but certainly didn't, turning toward the modest charms of , and then crediting his wife  as a full-fledged collaborator on its 1971 follow-up, . Where  was homemade, sounding deliberately ragged in parts,  had a fuller production yet retained that ramshackle feel, sounding as if it were recorded in a shack out back, not far from the farm where the cover photo of  holding the ram by the horns was taken. It's filled with songs that feel tossed off, filled with songs that are cheerfully, incessantly melodic; it turns the monumental symphonic sweep of  into a cheeky slice of whimsy on the two-part suite "Uncle Albert/Admiral Halsey." All this made  an object of scorn and derision upon its release (and for years afterward, in fact), but in retrospect it looks like nothing so much as the first indie pop album, a record that celebrates small pleasures with big melodies, a record that's guileless and unembarrassed to be cutesy. But  never was quite the sap of his reputation, and even here, on possibly his most precious record, there's some ripping rock & roll in the mock-apocalyptic goof "Monkberry Moon Delight," the joyfully noisy "Smile Away," where his feet can be smelled a mile away, and "Eat at Home," a rollicking, winking sex song. All three of these are songs filled with good humor, and their foundation in old-time rock & roll makes it easy to overlook how inventive these productions are, but on the more obviously tuneful and gentle numbers -- the ones that are more quintessentially -esque -- it's plain to see how imaginative and gorgeous the arrangements are, especially on the sad, soaring finale, "Back Seat of My Car," but even on its humble opposite, the sweet "Heart of the Country." These songs may not be self-styled major statements, but they are endearing and enduring, as is  itself, which seems like a more unique, exquisite pleasure with each passing year.