Gripsweat is shutting down. Starting on February 1st, 2025 the site will no longer be doing daily updates, adding any new items, or accepting new memberships. The site will continue to run in this "historical" mode until January 1st, 2026, when the site will go offline. More information is available here.
Sold Date:
March 16, 2021
Start Date:
March 11, 2021
Final Price:
$89.59
(USD)
Bid Count:
13
Seller Feedback:
2763
Buyer Feedback:
0
SS: Still Sealed
Label: Arista
Catalog Number: RTH 2010
Product Condition: N/ New
This auction is for a STILL SEALED, NUMBERED (2 of 5 MH) 2-LP from the Classic Records 200gram reissue of Sarah McLachlan's "Mirrorball". This
pressing has special significance and collectability because it comes
from the Michael Hobson ARCHIVES. This is a truly one of a kind collectible of one of the most valuable and highly sought after Classic Records pressings.
From
the start of Classic Records in 1994, Michael Hobson, insisted on
having as complete a "personal archive" as possible, of all varieties
and issues of Classic Records' various releases (180g, 200g, Blue
Vinyl, etc) as a reference of what had been done. This Archive
was one of the few things Acoustic Sounds did not acquire as part
of the deal to buy Classic in 2010 albeit Chad Kassem has pursued
Hobson to buy it ever since. Still intact, in its entirety (with
only a few holes) sits the Archive which will be offered exclusively
on this shop by special arrangement with Michael Hobson.
Each
piece has an official Classic Records “MH" Archive Sticker on it
and is accompanied by a certificate of authenticity hand signed by
Michael Hobson personally to assure authenticity and enhance the
collectibility over time. Generally, only 5 numbered “MH archive"
copies, most often from the first stamper, were added to the Hobson
archive. In the case of popular titles, there are various versions
because of the use of different plants (RTI, Bill Smith, Classic
Pressing Plant) which offers the possibility to have comparisons of
various machines the copies were made on - all of which sound
different because of various vibrations from the different machines
that are "pressed" into the vinyl. Yes, according to Hobson, you
can hear the difference is machines among the various Test Pressings
and production pressings for that matter. Further, the Classic
Records folklore is that Hobson, insisted on the “best copies” from the
“sweet spot” of the pressing run for his personal archive of 5
numbered copies of each release! It is reported that Hobson
personally selected the copies of the records that went into his
archive by listening to 1st stamper pressings to determine when the
“stamper” was in the “sweet spot” and pressing the best sounding
records during the run. Further, these records have not been moved from
Hobson’s own climate controlled air-conditioned storage for all these
years. This is not only a unique opportunity to own a piece of
Classic Record's history but also the chance to have some of the
best production pressings of Classic's various issues over time.
Ridiculously collectible and likely a better investment than the stock
market!
Note:
We will put all of the #5 of 5 copies from the MH Archive first and
then do the same for all #4 of 5 copies and so on. If anyone is
interested in a “complete” numbered set please contact us.
Good luck!
------------