Vinyl: VG+ Play Graded. Sounds Great!! Original Apple labels are Clean and Bright, with Side A having a small sticker that doesn't cover any of the print. This is the audiophile acclaimed, Original 1971 Apple 1st Pressing! Apple 1828, released February 15, 1971. Pressed at Capitol's Scranton, PA Pressing Plant. From Harrison's Finest Album, "All Things Must Pass', and coproduced by Phil Spector, hear the Wall Of Sound!
In the Dead Wax: Matrices, etched. Both sides have the "IAM" glyph ((Capitol's Scranton, PA Pressing Plant)). Complete Dead Wax information cheerfully provided upon request.
Picture Sleeve: VG++ (see photos; price sticker; some ring wear; has some numbers visible, written small on the inside of one side of the sleeve)
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
See my other listings for other Beatles & Related items. I also have a treasure trove of Beatles LPs, 45s and memorabilia yet to be listed. Let me know what you're looking for. You can also click on "Save This Seller" and you'll be among the first to be notified when I post new listings.
U.S.
Shipping: $3.99 Media Mail. Tracking included. 50 cents additional
shipping per additional item, when the shipment is combined. If
you wish to take advantage of my COMBINED SHIPPING deal, simply select
your items by clicking on "ADD TO CART" on the main listing page. Do
this for all of your selections and then go to your cart to checkout.
Your combined shipping discount will be computed automatically. Free
domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the sleeve (to avoid seam split in transit). The vinyl and sleeve are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
INTERNATIONAL BUYERS! EBAY'S PLATFORM DOESN'T ACCOMMODATE FOR COMBINED SHIPPING FOR INTERNATIONAL BUYERS---BUT DON'T LET THAT STOP YOU!!!---I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!! TELL ME WHICH ITEMS YOU WANT TO BUY, AND I WILL WEIGH THEM AND THE SHIPPING BOX TOGETHER AND THEN I WILL CREATE A "LOT OF 2..." OR "LOT OF 3...", OR "LOT OF 4...", ETC WITH THE ITEMS YOU WANT, AND CREATE A LISTING WITH THE EXACT WEIGHT OF YOUR LOT. THIS WILL SAVE YOU A LOT OF MONEY!!! IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE. OR, FEEL FREE TO ASK QUESTIONS.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.