ELTON JOHN Goodbye Yellow Brick Road VG+'73 MCA 2LP 1ST PRESS! Bennie & The Jets

Sold Date: December 12, 2021
Start Date: August 2, 2021
Final Price: $27.99 (USD)
Seller Feedback: 1541
Buyer Feedback: 0



Vinyl:  VG+ Play Graded. Sounds Great!  MCA Labels are Clean and Bright.  This is the 1973  MCA 1ST PRESSING! MCA2-10003.   Double LP.   Considered to be Sir Elton's finest album, with themes and characters and genres all over the map...But being that its 1973 there's a healthy dose of Glam Rock all over it.  A Masterpiece.  Enjoy!   One of Rolling Stone's 500 Greatest Albums of All Time!!!  allmusic gives it 4 1/2 stars!! See Review Below!
In the Dead Wax:  Matrices etched and Stampers from Gloversville, NY on all sides.  Complete Dead wax details cheerfully given upon request.
Cover:  VG+  (see photos)  Duofold Gatefold.  Stunning illustrations by David Larkham and others, accompanying the lyrics.  Front and back of cover artwork and text are rich, clear and bright, with small paper tear on front and some stains at the bottoms of the cover.  Seams, corners and spine are solid and clean, with minimal wear.  No splits.  No writing.  Spine print is crystal clear.   

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).


U.S. Shipping:  $5.49 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.     AllMusic Review by Stephen Thomas Erlewine 

It was designed to be a blockbuster and it was. Prior to ,  had hits -- his second album, , went Top 10 in the U.S. and U.K., and he had smash singles in "Crocodile Rock" and "Daniel" -- but this 1973 album was a statement of purpose spilling over two LPs, which was all the better to showcase every element of 's spangled personality. Opening with the 11-minute melodramatic exercise "Funeral for a Friend/Love Lies Bleeding" -- as prog as  ever got --  immediately embraces excess but also tunefulness, as immediately switches over to "Candle in the Wind" and "Bennie & the Jets," two songs that form the core of his canon and go a long way toward explaining the over-stuffed appeal of . This was truly the debut of  the entertainer, the pro who knows how to satisfy every segment of his audience, and this eagerness to please means the record is giddy but also overwhelming, a rush of too much muchness. Still, taken a side at a time, or even a song a time, it is a thing of wonder, serving up such perfectly sculpted pop songs as "Grey Seal," full-bore rockers as "Saturday Night's Alright for Fighting" and "Your Sister Can't Twist (But She Can Rock & Roll)," cinematic ballads like "I've Seen That Movie Too," throwbacks to the dusty conceptual sweep of  in the form of "The Ballad of Danny Bailey (1909-34)," and preposterous glam novelties, like "Jamaica Jerk-Off." This touched on everything  did before, and suggested ways he'd move in the near-future, and that sprawl is always messy but usually delightful, a testament to 's '70s power as a star and a musician.