BOB DYLAN Blonde On Blonde VG '66 Columbia C2L41 MONO 1ST PRESS CLAUD CARDINALE

Sold Date: May 2, 2022
Start Date: January 14, 2022
Final Price: $99.99 (USD)
Seller Feedback: 1598
Buyer Feedback: 76


*** I pay top dollar for quality record collections.  If you're looking to sell please send me a message (click on "Contact Seller", found at the top of this page where it says "Seller Information")***

Vinyl:  VG Play Graded. Sounds Very Good!  Columbia Labels are Clean and Bright. This is the SUPER RARE MONO 1966 Columbia C2L 41 Double LP 1ST PRESSING!  In the midst of Dylan's Mercurial Ascent to the very Top of the Hipster Rock 'N Roll echelons he delivered what is often regarded as his Masterwork, Blonde On Blonde.  Full of enigmatic epigrams and soulful balladry and surrealist bloozy fun, this Double LP will not disappoint while stuck on your Desert Island with your 9 other Records...  One of Rolling Stone's 500  Greatest Albums of All Time!!  allmusic gives it 5 stars!!
See Review Below!
In the Dead Wax:  Matrices, stamped.  Complete Dead Wax information cheerfully provided upon request.

Cover: VG (see photos)  Gatefold.  This is the SUPER RARE ORIGINAL Cover, with the photo of Tunisian/Italian actress Claudia Cardinale in the Gatefold!  Deleted soon after release at the insistence of her lawyers.  There are some other interesting, if shadowy, characters in the Gatefold.  Google "Looking For A Gem" Bob Dylan's Officially Released Rarities and Obscurities".  Front and back of cover artwork and text are rich, clear and bright, with ring and shelf wear.  Name written lightly on front cover.  Seams and spine are solid and clean, with some wear.  No splits.  No writing.  Spine print is mostly clear.
Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
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All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.   

Blonde on Blonde Review

by Stephen Thomas Erlewine

If played as a garage rock record, the double album inverted that sound, blending blues, country, rock, and folk into a wild, careening, and dense sound. Replacing the fiery with the intense, weaving guitar of , led a group comprised of his touring band and session musicians through his richest set of songs. is an album of enormous depth, providing endless lyrical and musical revelations on each play. Leavening the edginess of with a sense of the absurd, is comprised entirely of songs driven by inventive, surreal, and witty wordplay, not only on the rockers but also on winding, moving ballads like "Visions of Johanna," "Just Like a Woman," and "Sad Eyed Lady of the Lowlands." Throughout the record, the music matches the inventiveness of the songs, filled with cutting guitar riffs, liquid organ riffs, crisp pianos, and even woozy brass bands ("Rainy Day Women #12 & 35"). It's the culmination of 's electric rock & roll period -- he would never release a studio record that rocked this hard, or had such bizarre imagery, ever again.