THE BEATLES Paperback Writer / Rain EX+ 1966 Capitol 5651 Picture Sleeve! MONO!
Sold Date:
April 14, 2022
Start Date:
January 19, 2022
Final Price:
$49.99
(USD)
Seller Feedback:
1595
Buyer Feedback:
58
Vinyl: EX+ Play Graded. Sounds Excellent! Capitol Labels and Bright. The labels are without subsidiary print. This is the 1966 Capitol 5651 Original 1ST PRESSING! Issued May 30, 1966. A Classic Double A-side. Very exciting to turn up The Beatles in Mono! Also, this being the Rare Mono Mix, you get to hear some rare nuances on Paperback Writer that you don't hear on the LP's (e.g. The Beatles Again nor 1962-1966,etc). Listen especially to the last part of the last verse of "Paperback Writer", where the mix reveals a different use of echo than the one you may be used to hearing...very cool! The Beatles themselves preferred their Mono mixes. BEATLEMANIA!!
In the Dead Wax: matrices on both sides, stamped. Both sides have "IAM" for International Association of Machinists, indicating that they were pressed at Capitol's Scranton, PA Pressing Plant. Complete Dead wax details cheerfully given upon request.
SLEEVE: VG++ (see photos; no seam splits, no stickers; some ring wear, some creases and some tiny micro-tears along the top edge) Original 1ST PRESSING EAST COAST PICTURE SLEEVE.
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
See my other listings for other Beatles & Related items. I also have a treasure trove of Beatles LPs, 45s and memorabilia yet to be listed. Let me know what you're looking for. You can also click on "Save This Seller" and you'll be among the first to be notified when I post new listings.
U.S. Shipping: $3.99 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the sleeve (to avoid seam split in transit). The vinyl and sleeve are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer.
On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
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