Ike Turner, Tina Turner: Feel Good - LP 180g Vinyl "Feel Good", not Curtis Mayfield's "Superfly", is the sound of early-'70s pimping - even when the tempo slows down, which happens rarely, it's for a slow blues grind, not a ballad, and songs like Tina's "Kay Got Laid (Joe Got Paid)" make no apologies for mythologizing pimps. This results in a supremely sleazy, utterly addictive record, one that's relentless in its rhythms and fearless in its funk as Ike lays down nasty rock & roll guitar - check his solos on "Feel Good", where he's as elastic as rubber - and Tina tears it up with pure, unbridled passion. "Feel Good" is quintessentially '70s - the fuzztoned funk practically conjures up platform shoes and mile-wide collars - but it doesn't belong to any one sound, it casually draws from Southern soul, James Brown funk, black pride, "Superfly" style and juke joint R&B, a sound that is uniquely identified with Ike & Tina. And while this contains no flat-out classics like "Nutbush City Limits" or "Proud Mary" as an album "Feel Good" undoubtedly ranks among their very best: it's a non-stop party. Es war "Feel Good", nicht "Superfly" von Curtis Mayfield, die den Zuhälter-Sound der frühen 70er repräsentierte - auch wenn das Tempo nachlässt, was kaum vorkommt, dann ist es für einen langsamen Blues und nicht eine Ballade, und Songs wie Tina's "Kay Got Laid (Joe Got Paid)" sind keine Entschuldigung für die Mythologisierung der Zuhälterei. Das Resultat ist eine äußerst lässige, absolut süchtig machende LP, rhythmisch unbarmherzig und unerschrocken in ihrem Funk durch Ike's fiese Rock'n'Roll-Gitarre - man höre nur seine Solos in "Feel Good", geschmeidig wie Gummi - und Tina heizt durch ihre pure, ungezügelte Leidenschaft noch weiter ein. "Feel Good" ist die Quintessenz der 70er - der verzerrte Funk beschwört Plateausohlen und 70er-Jahre Megakragen herauf - aber die Musik entzieht sich dennoch jeder Kategorisierung, sie zitiert zwanglos Southern Soul, James Brown-Funk, Black Power-Stolz, "Superfly"-Stil, Kneipen-Rhythm'n'Blues - ein Sound, den man eindeutig mit Ike & Tina identifiziert. Und obwohl keine Klassiker wie "Nutbush City Limits" oder "Proud Mary" mit dabei sind, gehört "Feel Good" zweifellos zu den den besten Platten der Turners: es ist eine non-stop Party. Ike Turner, Tina Turner: Feel Good - LP 180g Vinyl

"Feel Good", not Curtis Mayfield's "Superfly", is the sound of early-'70s pimping - even when the tempo slows down, which happens rarely, it's for a slow blues grind, not a ballad, and songs like Tina's "Kay Got Laid (Joe Got Paid)" make no apologies for mythologizing pimps. This results in a supremely sleazy, utterly addictive record, one that's relentless in its rhythms and fearless in its funk as Ike lays down nasty rock & roll guitar - check his solos on "Feel Good", where he's as elastic as rubber - and Tina tears it up with pure, unbridled passion. "Feel Good" is quintessentially '70s - the fuzztoned funk practically conjures up platform shoes and mile-wide collars - but it doesn't belong to any one sound, it casually draws from Southern soul, James Brown funk, black pride, "Superfly" style and juke joint R&B, a sound that is uniquely identified with Ike & Tina. And while this contains no flat-out classics like "Nutbush City Limits" or "Proud Mary" as an album "Feel Good" undoubtedly ranks among their very best: it's a non-stop party.

Es war "Feel Good", nicht "Superfly" von Curtis Mayfield, die den Zuhälter-Sound der frühen 70er repräsentierte - auch wenn das Tempo nachlässt, was kaum vorkommt, dann ist es für einen langsamen Blues und nicht eine Ballade, und Songs wie Tina's "Kay Got Laid (Joe Got Paid)" sind keine Entschuldigung für die Mythologisierung der Zuhälterei. Das Resultat ist eine äußerst lässige, absolut süchtig machende LP, rhythmisch unbarmherzig und unerschrocken in ihrem Funk durch Ike's fiese Rock'n'Roll-Gitarre - man höre nur seine Solos in "Feel Good", geschmeidig wie Gummi - und Tina heizt durch ihre pure, ungezügelte Leidenschaft noch weiter ein. "Feel Good" ist die Quintessenz der 70er - der verzerrte Funk beschwört Plateausohlen und 70er-Jahre Megakragen herauf - aber die Musik entzieht sich dennoch jeder Kategorisierung, sie zitiert zwanglos Southern Soul, James Brown-Funk, Black Power-Stolz, "Superfly"-Stil, Kneipen-Rhythm'n'Blues - ein Sound, den man eindeutig mit Ike & Tina identifiziert. Und obwohl keine Klassiker wie "Nutbush City Limits" oder "Proud Mary" mit dabei sind, gehört "Feel Good" zweifellos zu den den besten Platten der Turners: es ist eine non-stop Party.

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We accept payment via All Major Credit Cards (Visa, Mastercard, AMEX, Discover), Google Pay, PayPal, & Apple Pay (on mobile & eBay App).

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