PETER FRAMPTON Frampton Comes Alive! VG+ 1976 A&M SP 3703 2LP 1ST PRESS MONARCH!

Sold Date: February 6, 2023
Start Date: November 17, 2022
Final Price: $42.99 (USD)
Seller Feedback: 1684
Buyer Feedback: 0



Vinyl:  VG+ Play Graded. Sounds Great!  A&M Labels are Clean and Bright.  This is the audiophile acclaimed 1976 A&M SP-3703 1ST PRESSING, pressed at Monarch Records Mfg Co., Los Angeles, CA!!!  Monarch's pressings are widely renowned for their quality with highs and lows:  makes you feel like you're in the concert hall!!  Frampton's Finest Hour!  Plays like a Greatest Hits collection and the vibe is celebratory all the way through!  Beyond the staple radio hits, there's plenty more to (re)discover, like Penny For Your Thoughts, It's A Plain Shame and Doobie Wah!  Classic Rock defined!  Bob Mayo on the keyboards, Bob Mayo!!  allmusic gives it 4 1/2 stars!!
See Review Below!
In the Dead Wax:  Matrices, etched.  Side 1 and 4 have the Monarch glyph ((Pressed at Monarch Records Mfg. Co., Los Angeles, CA)) and all 4 sides have TML  ((The Mastering Lab, Hollywood, CA))  Complete dead wax information cheerfully provided upon request.
Cover:  VG+  (see photos)  Gatefold.  On the inside of the Gatefold is a very well written commentary by Cameron Crowe, then at the beginning of his Rock 'N Roll writing career...Front, back and Gatefold of cover artwork and text are rich, clear and bright, with some ring and shelf wear.  Initials on front and back cover.  Has a single strip of clear tape along the bottom edge of one of the seams and it's intact.  Seams, corners and spine are solid and clean, with some wear.  No splits.  Spine print is mostly readable.  
Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping:  $5.49 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  
Frampton Comes Alive! Review

by Bruce Eder

At the time of its release, Frampton Comes Alive! was an anomaly, a multi-million-selling (mid-priced) double LP by an artist who had previously never burned up the charts with his long-players in any spectacular way. The biggest-selling live album of all time, it made Peter Frampton a household word and generated a monster hit single in "Show Me the Way." And the reason why is easy to hear: the / graduate packed one hell of a punch on-stage -- where he was obviously the most comfortable -- and, in fact, the live versions of "Show Me the Way," "Do You Feel Like I Do," "Something's Happening," "Shine On," and other album rock staples are much more inspired, confident, and hard-hitting than the studio versions--the highs are significantly more lustrous, the guitars crunch and soar, and the bottom end really thunders, and so you get a genuine sense of the power of Frampton's live set, at least the heavier parts of his set. Frampton and the band sound significantly closer as well, even on the softer songs such as "Wind of Change," and the disc is impressive listening even a quarter century later.