Vinyl:  VG+  Play Graded. Sounds Great!  Has some soft crackle in the background during softer passages.  Original Atlantic Labels are clean and bright.  This is the 1965 Atlantic 8110 1ST PRESSING in GLORIOUS MONO!  R&B/Soul Pop Legend!  This is one of her very best albums.  Has some of her biggest hits like "Hello Stranger" and "Someday We'r Gonna Love Again".  allmusic gives it 4 1/2 stars!!
See Biography & Review Below!
In The Dead Wax:  On both sides:  matrices, etched.  Complete Dead Wax info cheerfully provided upon request.
Cover: VG++ (see photos).  IN SHRINK!  Vintage Price Sticker.  Nice high gloss on cover.  Front and back of cover artwork and text are rich, clear and bright, with a name written in the margin on the back cover.  Seams, corners and spine are solid and clean.  No splits.  Spine print is crystal clear. 

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping:  $4.99 Media Mail.  Tracking included.  50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
INTERNATIONAL BUYERS!  EBAY'S PLATFORM DOESN'T ACCOMMODATE FOR COMBINED SHIPPING FOR INTERNATIONAL BUYERS---BUT DON'T LET THAT STOP YOU!!!---I CAN COMBINE SHIP FOR YOU AND MINIMIZE SHIPPING COSTS!!!  TELL ME WHICH ITEMS YOU WANT TO BUY, AND I WILL WEIGH THEM AND THE SHIPPING BOX TOGETHER AND THEN I WILL CREATE A "LOT OF 2..." OR "LOT OF 3...", OR "LOT OF 4...", ETC WITH THE ITEMS YOU WANT, AND CREATE A LISTING WITH THE EXACT WEIGHT OF YOUR LOT.   THIS WILL SAVE YOU A LOT OF MONEY!!!  IF YOU'RE INTERESTED IN THIS, SEND ME A MESSAGE TELLING ME WHICH ITEMS YOU WOULD LIKE TO PURCHASE AND WE'LL GO FROM THERE.  OR, FEEL FREE TO ASK QUESTIONS.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  
Barbara Lewis Biography

by Richie Unterberger

Pop-soul doesn't get much better than Barbara Lewis, whose seductive, emotive croon took "Hello Stranger" to number three in 1963. The Michigan native had been writing songs since the age of nine, and began recording as a teenager with producer , who also had a hand in the careers of , , and . Lewis wrote all of the songs on her debut LP (including "Hello Stranger") and confidently handled harmony soul numbers (some with backing by ) and more pop-savvy tunes, some of which, like "Hello Stranger," were driven by an organ and a bossa nova-like beat. Follow-ups to "Hello Stranger" didn't sell nearly as well (although one of her singles, "Someday We're Gonna Love Again," was covered by for a British Invasion hit). In the mid-'60s she began doing some recordings in New York City, with assistance from producers like and , that employed more orchestral arrangements and pop-conscious material. The approach clicked, both commercially and artistically: "Baby I'm Yours" and "Make Me Your Baby" were both big hits, and both among the best mid-'60s girl group-style productions. Lewis cut an album in the late '60s for Stax (on the Enterprise subsidiary) that, as one would expect, gave her sound a grittier approach, without compromising the smooth and poppy elements integral to the singer's appeal. It passed mostly unnoticed, though, and Lewis withdrew from the music business after a few other singles. The "beach music" scene of the Carolinas remains a bastion of appreciation for Lewis' records, which continue to enjoy popularity and airplay there decades after their original release.

In the album "Baby, I'm Yours", we have a classic Barbara Lewis album with four tunes written by Lewis herself. "Baby, I'm Yours," and "Hello Stranger" we all know, but "Puppy Love," and "Think a Little Sugar" are also fine. The song "How Can I Say Goodbye" is wonderful. Most of these are available on compilations.