Sold Date: May 3, 2019
Start Date: April 5, 2019
Final Price: £15.00 (GBP)
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Side 1 (A)
1. She Never Could Resist A Winding Road
2. Beatnik Walking
3. Patty Don't You Put Me Down
Side 2 (B)
1. Broken Doll
2. All Buttoned Up
3. Josephine
Side 3 (C)
1. Long John Silver
2. Pony In The Stable
3. Where's Your Heart
4. No Peace, No End
Side 4 (D)
1. Dungeons For Eyes
2. Guitar Heroes

Vinyl180 proudly present this exclusive 180g vinyl re-issue of Richard Thompson's Still album.

Available in two configurations; the original album pressed on two 180g RED vinyl discs packaged in heavyweight inner sleeves in a gatefold outer sleeve.

Produced by Jeff Tweedy, Still was originally released in June 2015 and MOJO Magazine  named RT's "Still" as the 21st best album of 2015.

"Richard's been one of my favorite guitar players for a very long time,” stated Tweedy. “When I think about it, he's also one of my favorite songwriters and favorite singers. He's the Ultimate Triple Threat. Getting to work closely with him on this record was a truly rewarding experience, not to mention a great thrill.  And he keeps alive my streak of working exclusively with artists who make me look good as a producer."

Still was recorded in a two-story rehearsal loft in Chicago over the course of just nine days with Wilco’s Jeff Tweedy at the helm, backed by several longtime players from both Thompson’s and Tweedy’s bands.
"Richard's been one of my favorite guitar players for a very long time,” stated Tweedy. “When I think about it, he's also one of my favorite songwriters and favorite singers. He's the Ultimate Triple Threat. Getting to work closely with him on this record was a truly rewarding experience, not to mention a great thrill.  And he keeps alive my streak of working exclusively with artists who make me look good as a producer."
Thompson enlisted Tweedy’s production skills in an effort to shake up his own creative approach to making records. “It turned out be really good idea,” says Thompson. “Jeff is musically very sympathetic. Although some of his contributions are probably rather subtle to the listener’s ear, they were really interesting and his suggestions were always very pertinent.”
Taken as a whole, Still is a powerful dispatch from an acknowledged master who remains unafraid to put himself into demanding new environments – its title reflecting that resilience and seemingly endless resourcefulness. “Or,” Thompson adds slyly, “it could be read as ‘Is he still performing? I thought he died years ago.”