Vinyl:  VG/VG+ Play Graded. Sounds Great with some warm vinyl crackle.  Boxed Red London Labels are Clean except side 2 has initials written small.   This is the Original 1966 London Records MONO 1st Pressing!  LL 3476.  The first  album completely written by – was full of bad-boy songs about Swinging London's overnight stars, groupies, hustlers and parasites. It's got tough riffs ("It's Not Easy"), girls seeking kicks ("Under My Thumb"), zooming psychedelia ("Paint It Black") and baroque-folk gallantry ("I Am Waiting").    One of Rolling Stone Magazine's 500 Greatest Albums of All-Time!  allmusic gives it 5 stars!!  See Review Below!
Cover: VG/VG+ (see photos; some ring and shelf wear; paper tear top right front corner; name on front cover) 
Goldmine Standards.    I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

AllMusic Review by Richie Unterberger

 finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of rock & roll with their sneering attitude toward the world in general and the female sex in particular. The borderline misogyny could get a bit juvenile in tunes like "Stupid Girl." But on the other hand the group began incorporating the influences of psychedelia and  into their material with classics like "Paint It Black," an eerily insistent number one hit graced by some of the best use of sitar (played by ) on a rock record. Other classics included the jazzy "Under My Thumb," where  added exotic accents with his vibes, and the delicate Elizabethan ballad "Lady Jane," where dulcimer can be heard. Some of the material is fairly ho-hum, to be honest, as  and  were still prone to inconsistent songwriting; "Goin' Home," an 11-minute blues jam, was remarkable more for its barrier-crashing length than its content. Look out for an obscure gem, however, in the brooding, meditative "I Am Waiting."