Free delivery on many items.   Same-day despatch, no-question returns.   Authorised dealers - full technical support.   Online since 1997. Shop categories Information Hans ZIMMER Interstellar (Soundtrack) (Expanded Edition)(gatefold 4xLP (side 8 etched) + booklet) Watertower Music US

Cat: NLIN 1912. Rel: 23 Nov 20
Soundtracks

Side 1 - Track 1. Dreaming Of The Crash Side 1 - Track 2. Cornfield Chase Side 1 - Track 3. Dust Side 1 - Track 4. Day One Side 1 - Track 5. Stay Side 2 - Track 1. Message From Home Side 2 - Track 2. The Wormhole Side 2 - Track 3. Mountains Side 2 - Track 4. Afraid Of Time Side 2 - Track 5. A Place Among The Stars Side 2 - Track 6. Running Out Side 2 - Track 7. I'm Going Home Side 3 - Track 1. Coward Side 3 - Track 2. Detach Side 3 - Track 3. STAY Side 4 - Track 1. Where We're Going Side 4 - Track 2. First Step Side 4 - Track 3. Flying Drone Side 4 - Track 4. Atmospheric Entry Side 4 - Track 5. No Need To Come Back Side 5 - Track 1. Imperfect Lock Side 5 - Track 2. No Time For Caution Side 5 - Track 3. What Happens Now? Side 5 - Track 4. Who's They? Side 6 - Track 1. Murph Side 6 - Track 2. Organ Variation Side 7 - Track 1. Tick-Tock Side 7 - Track 2. Day One (demo) Side 7 - Track 3. Day One Dark Side 7 - Track 4. Do Not Go Gentle Into That Good Night

It's never easy to separate movie score from movie. Some are more difficult than others, though, for example a collection of atmospheric but subtle accidentals. Or when the soundtrack itself plays such an integral part in the movie, the very hint of it is likely to have you slipping into catatonic dreams of memorable scenes and your emotional response at the time of watching. It will surprise nobody to learn we rank Interstellar in the latter category, given it's the work of legendary composer Hans Zimmer.

Today many major cinema and Netflix movies are going in more experimental directions for musical accompaniment, this masterpiece from 2014 perhaps predates the trend and definitely belongs in comparatively traditional camps, which is no bad thing. From appropriately-titled piano minimalism (Atmospheric Entry), to full blown orchestral drama ('No Time For Caution'), this is less contemporary, more timeless classical from a true maestro.