Vinyl:  VG+ Play Graded. Sounds Great!  Gold Elektra Labels are Clean and Bright.   This is the 1968 Elektra 1st Pressing!!  EKS 74021.  This is the audiophile acclaimed Monarch Pressing!   Highly influential on Robert Plant, previous to the recording of Led Zeppelin's 1st LP, this is a kaleidoscopic journey into the heart of the Cosmic Giggle that was neo-traditional British psychedelicists in the years 1968 and 1969.  A moment in time and absolutely special and rare...A fascinating book I'm currently reading about this amazing musical genre is called "Electric Eden", by Rob Young--check it out!...allmusic gives The Hangman's Beautiful Daughter 5 stars!!!

See Review Below!

In the dead wax:  Side 1:  EKS 74021  A-MON-2  MR with a circle around it ((Monarch Records Mfg. Corp., Los Angeles, CA))

Side 2:  EKS 74021  B-MON-2  MR with a circle around it ((Monarch Records Mfg. Corp., Los Angeles, CA))

Cover: EX (see photos)   Nice high gloss cover!   Front and back of cover artwork and text are rich, clear and bright, with initials on the back cover . Seams, corners and spine are solid and clean, with minimal wear.   No splits.  Spine print is crystal clear. 

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).

U.S. Shipping:  $4.99 Media Mail.  Tracking included.   50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.

AllMusic Review by Thom Jurek 

 stands as 's undisputed classic among critics and musicians alike -- ask , who touted its influence on 's first album and general direction. Recorded and released in 1968, the album hit number five on the U.K. album charts, and was nominated for a Grammy in the U.S. It was produced by , and engineered by  using 24-track technology. , , and  also utilized the talents of  (vocals, flute, organ, and piano), and (harp).   and  employed a vast array of instruments on these songs including sitar, gimbri, pan pipe, oud, chahanai, mandolin, guitars, Hammond B-3, dulcimer, harpsichord, pan pipes, oud, water harp, and harmonica. The songs were much more freeform and experimental. Check ’s 13-minute “A Very Cellular Song,” which incorporates elements from a Sikh hymn and a Bahamian spiritual. Using the Hammond, a gimbri, pan pipes, handclaps, and other instruments, it begins on a two-chord vamp that employs a vocal round in five-part harmony, with secular and spiritual lyrics. It’s simply infectious. Other notables include the stellar “The Minotaur’s Song,” with its call and response chorus played on guitars, upright piano, and six-part harmonies. It melds a children's song with a drinking song to humorous and utterly memorable effect. Elsewhere, “Waltz of the New Moon,” employs two-chord drones on acoustic guitar with a meld of Middle Eastern vocal styles and Scottish field songs. “Three Is a Green Crown” is a psychedelic folk song in all its hypnotic droning glory with s primitive sitar playing featured prominently. The tender, exotic, "Nightfall,” the album’s closer, is a lullaby, with guitar and sitar accompanying the vocal in whole tone intervals.  is the most ambitious, focused, and brilliantly executed record in ’s catalog.