THE DOORS Absolutely Live EX 1970 Elektra EKS-9002 2LP JIM MORRISON SPECIALTY
Sold Date:
January 21, 2024
Start Date:
January 17, 2023
Final Price:
$24.99
(USD)
Seller Feedback:
1775
Buyer Feedback:
0
Vinyl: EX Play Graded. Sounds Excellent! Has some marks that don't affect the sound quality. Elektra Labels are Clean and Bright, with light stamp marks on side 2 and 3. These don't obscure any of the printing on the labels. This is the 1970 Elektra Double Album! EKS-9002. This is the audiophile acclaimed Specialty Recording Corp Pressing!! Recorded when they were at the height of their powers, this was a great addition to the Doors' discography as it adds some songs that never made it onto their studio recordings. This is an Underground Classic and Stone Groove!!...Instant Psychedelic Party!
See Review Below!
In the Dead Wax: Matrices, etched. Also has the SRC glyph for Specialty Records Corp. (Pressed by Specialty Records Corp of Olyphant, PA)). Complete Dead Wax information cheerfully provided upon request.
Cover: EX (see photos) Gatefold. Nice gloss on cover. Front, gatefold and back of cover artwork and text are rich, clear and bright, with minor shelf wear. Seams, corners and spine are solid and clean, with minimal wear. No splits. No writing. No stickers. Spine print is crystal clear.
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
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All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
Absolutely Live Review
by William Ruhlmann
This sprawling collection demonstrated that, in
concert, the Doors could be an enervating as well as an elevating
experience. There are no hits, but there's a lot of
-- improvising, reciting poetry, sometimes singing -- not a record for
the uninitiated. Recorded at concerts in 1969 and 1970, this was an era
in which
was becoming increasingly dissolute and increasingly disinterested in
the whole rock machine. During much of this set, he seems not to be
taking himself or the songs too seriously, tossing flippant asides to
the audience, and seeming to treat the whole exercise as a charade. As
for the music, the haunting "Universal Mind" and the basic blues-rocker
"Build Me a Woman" are originals that are not found on their proper
albums; "Close to You" is a dull cover sung by ; "Who Do You Love?" is a fair cover of the
standard, and the controversial "The Celebration of the Lizard" is a
drawn-out opus that is as much poetry recitation as music. There are
also extended versions of "Soul Kitchen," "Break on Through," and "When
the Music's Over" that give the band an opportunity to expand on the studio recordings and stretch out musically.
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