JEFFERSON AIRPLANE 5 PSYCHEDELIC ROCK VINYL LP LOT with White Rabbit

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Volunteers is the fifth studio album by American psychedelic rock band Jefferson Airplane, released in 1969 on RCA Records. The album was controversial because of its revolutionary and anti-war lyrics, along with the use of profanity. The original album title was Volunteers of Amerika, but it was shortened after objections from Volunteers of America, a religious charity. This was the last album with the group for both Jefferson Airplane founder Marty Balin and drummer Spencer Dryden (although they did both appear on the "Mexico" single released in 1970 and its B-side "Have You Seen the Saucers?"). The album signifies the end of the best-remembered "classic" lineup of musicians. It turned out to be the group's last all-new LP for two years. Jack Casady and Jorma Kaukonen devoted more of their energy to their embryonic blues group Hot Tuna, while Paul Kantner and Grace Slick released Blows Against the Empire and Sunfighter with various guest musicians and celebrated the birth of their daughter China in 1971.
Bark is their sixth studio album. Released in 1971 as Grunt FTR-1001, the album is one of the Airplane's late-period works, notable for the group's first personnel changes since 1966. The album was the first without band founder Marty Balin (who departed the band during the recording process but without featuring in the sessions) and the first with violinist Papa John Creach. Drummer Spencer Dryden had been replaced by Joey Covington in early 1970 after a lengthy transitional period in which both musicians had performed with the band. Bark was the Airplane's first new album in two years, the previous being 1969's Volunteers. It was the first release on Grunt Records, launched in August 1971 by the band and RCA as an autonomous imprint for Jefferson Airplane-related releases.
Bless Its Pointed Little Head is a live album by Jefferson Airplane recorded at both the Fillmore East and West in the fall of 1968 and released in 1969 as RCA Victor LSP-4133. The album was recorded on the tour supporting Crown of Creation, yet no songs from that album or its predecessor After Bathing at Baxter's were included. Instead, selections were taken from their first two albums and a number of covers that had been in their setlist since 1965/6 yet remained unrecorded by them in the studio. One of these, "Fat Angel", had been written by Donovan in the spring of 1966 and had namechecked the band, so they returned the favor by covering it in their style. Another, Fred Neil's "The Other Side Of This Life", had apparently been in the set list on the first night they performed at The Matrix in August 1965. Of the remaining selections, "Clergy" was an audio excerpt from the film King Kong which was used to introduce the band at their Fillmore shows, while "Turn Down The Lights" was a short improvised number of self-explanatory nature. The closing "Bear Melt" had developed from a lengthy instrumental jam called "Thing" which had evolved on stage through the years, now featuring an improvised vocal intro by Slick.
The Worst of Jefferson Airplane is the first compilation album from the rock band Jefferson Airplane, released in November 1970 as RCA Victor LSP-4459. The "Worst" in the title is ironic, as the album features all of Jefferson Airplane's hit singles up to that point. It peaked at #12 on the Billboard 200 in 1971 and has since gone platinum. With no group project in sight, RCA Records assembled this album centered upon the group's hit singles, with input from the band. "The Ballad of You & Me & Pooneil", "Crown of Creation", and "Volunteers" all made the lower reaches of the Billboard Hot 100. "Somebody to Love" and "White Rabbit" were the band's only Top 40 hits, reaching #5 and #8 respectively
Thirty Seconds Over Winterland is an album by the American psychedelic rock band Jefferson Airplane. It was recorded live in August and September 1972, at the Auditorium Theatre in Chicago and the Winterland Ballroom in San Francisco. It was released in April 1973; reflecting the band's declining commercial stature, it only peaked at No. 52 on the Billboard chart